ters?
It seemed to him as possible of proof as of confutation and the
nomenclature employed in its selenographical charts as attributable to
verifiable intuition as to fallacious analogy: the lake of dreams, the
sea of rains, the gulf of dews, the ocean of fecundity.
What special affinities appeared to him to exist between the moon and
woman?
Her antiquity in preceding and surviving successive tellurian
generations: her nocturnal predominance: her satellitic dependence:
her luminary reflection: her constancy under all her phases, rising
and setting by her appointed times, waxing and waning: the forced
invariability of her aspect: her indeterminate response to inaffirmative
interrogation: her potency over effluent and refluent waters: her power
to enamour, to mortify, to invest with beauty, to render insane, to
incite to and aid delinquency: the tranquil inscrutability of her
visage: the terribility of her isolated dominant implacable resplendent
propinquity: her omens of tempest and of calm: the stimulation of her
light, her motion and her presence: the admonition of her craters, her
arid seas, her silence: her splendour, when visible: her attraction,
when invisible.
What visible luminous sign attracted Bloom's, who attracted Stephen's,
gaze?
In the second storey (rere) of his (Bloom's) house the light of a
paraffin oil lamp with oblique shade projected on a screen of roller
blind supplied by Frank O'Hara, window blind, curtain pole and revolving
shutter manufacturer, 16 Aungier street.
How did he elucidate the mystery of an invisible attractive person, his
wife Marion (Molly) Bloom, denoted by a visible splendid sign, a lamp?
With indirect and direct verbal allusions or affirmations: with subdued
affection and admiration: with description: with impediment: with
suggestion.
Both then were silent?
Silent, each contemplating the other in both mirrors of the reciprocal
flesh of theirhisnothis fellowfaces.
Were they indefinitely inactive?
At Stephen's suggestion, at Bloom's instigation both, first Stephen,
then Bloom, in penumbra urinated, their sides contiguous, their organs
of micturition reciprocally rendered invisible by manual circumposition,
their gazes, first Bloom's, then Stephen's, elevated to the projected
luminous and semiluminous shadow.
Similarly?
The trajectories of their, first sequent, then simultaneous, urinations
were dissimilar: Bloom's longer, less irruent, in t
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