ing into clenches; his
serious swelling, into bombast.
"But he is always great, when some great occasion is presented to him. No
man can say, he ever had a fit subject for his wit, and did not then raise
himself as high above the rest of poets,
"_Quantum lenta solent, inter viberna cupressi._
"The consideration of this, made Mr. HALES, of Eton, say, 'That there was
no subject of which any poet ever writ; but he would produce it much
better treated of in SHAKESPEARE.' And however others are, now, generally
preferred before him; yet the Age wherein he lived (which had
contemporaries with him, FLETCHER and JOHNSON) never equalled them to
him, in their esteem. And in the last King's [_CHARLES I._] Court, when
BEN.'s reputation was at [the] highest; Sir JOHN SUCKLING, and with him,
the greater part of the Courtiers, set our SHAKESPEARE far above him.
"BEAUMONT and FLETCHER (of whom I am next to speak), had, with the
advantage of SHAKESPEARE's wit, which was their precedent, great natural
gifts improved by study. BEAUMONT, especially, being so accurate a judge
of plays, that BEN. JOHNSON, while he [_i.e., BEAUMONT_] lived, submitted
all his writings to his censure; and,'tis thought, used his judgement in
correcting, if not contriving all his plots. What value he had for
[_i.e., attached to_] him, appears by the verses he writ to him: and
therefore I need speak no farther of it.
"The first Play which brought FLETCHER and him in esteem, was their
_PHILASTER_. For, before that, they had written two or three very
unsuccessfully: as the like is reported of BEN. JOHNSON, before he writ
_Every Man in his Humour_ [_acted in_ 1598]. Their Plots were generally
more regular than SHAKESPEARE's, especially those which were made before
BEAUMONT's death: and they understood, and imitated the conversation of
gentlemen [_in the conventional sense in which it was understood in
DRYDEN's time_], much better [_i.e., than SHAKESPEARE_]; whose wild
debaucheries, and quickness of wit in repartees, no Poet can ever paint
as they have done.
"This Humour, which BEN. JOHNSON derived from particular persons; they
made it not their business to describe. They represented all the passions
very lively; but, above all, Love.
"I am apt to believe the English language, in them, arrived to its
highest perfection. What words have since been taken in, are rather
superfluous than necessary.
"Their Plays are now the most pleasant and frequent en
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