FREE BOOKS

Author's List




PREV.   NEXT  
|<   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143  
144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   >>   >|  
, sometimes in the wrong. Their judgement is a mere lottery. _Est ubi plebs recte putat, est ubi peccat_. HORACE says it of the Vulgar, judging Poesy. But if you mean, the mixed Audience of the Populace and the Noblesse: I dare confidently affirm, that a great part of the latter sort are already favourable to Verse; and that no serious Plays, written since the King's return [_May_ 1660], have been more kindly received by them, than the _Siege of Rhodes_, the _MUSTAPHA_, the _Indian Queen_ and _Indian Emperor_. [_See_ p. 503.] "But I come now to the Inference of your first argument. You said, 'The dialogue of Plays is presented as the effect of sudden thought; but no one speaks suddenly or, _ex tempore_, in Rhyme' [p. 498]: and you inferred from thence, _that Rhyme_, which you acknowledge to be proper to Epic Poesy [p. 559], _cannot equally be proper to Dramatic; unless we could suppose all men born so much more than poets, that verses should be made_ in _them, not_ by _them_. "It has been formerly urged by you [p. 499] and confessed by me [p. 563] that 'since no man spoke any kind of verse _ex tempore_; that which was _nearest_ Nature was to be preferred.' I answer you, therefore, by distinguishing betwixt what is _nearest_ to the nature of Comedy: which is the Imitation of common persons and Ordinary Speaking: and, what is _nearest_ the nature of a serious Play. This last is, indeed, the Representation of Nature; but 'tis Nature wrought up to an higher pitch. The Plot, the Characters, the Wit, the Passions, the Descriptions are all exalted above the level of common converse [_conversation_], as high as the Imagination of the Poet can carry them, with proportion to verisimility [_verisimilitude_]. "Tragedy, we know, is wont to Image to us the minds and fortunes of noble persons: and to pourtray these exactly, Heroic Rhyme is _nearest_ Nature; as being the noblest kind of Modern Verse. "_Indignatur enim privatis, et prope socco, Dignis carminibus narrari coena THYESTOE._ "says HORACE. And in another place, "_Effutire leveis indigna tragoedia versus._ "Blank Verse is acknowledged to be too low for a Poem, nay more, for a paper of Verses [pp. 473, 498, 559]; but if too low for an ordinary Sonnet, how much more for Tragedy! which is, by ARISTOTLE, in the dispute between the Epic Poesy and the Dramatic, (for many reasons he there alleges) ranked above it. "But setting this defence aside, your ar
PREV.   NEXT  
|<   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143  
144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   >>   >|  



Top keywords:
Nature
 

nearest

 

tempore

 

proper

 

Dramatic

 
common
 
Indian
 

Tragedy

 
HORACE
 

nature


persons

 

proportion

 
verisimilitude
 

Ordinary

 
Speaking
 

verisimility

 
exalted
 
converse
 

Descriptions

 

Characters


Passions

 

higher

 

conversation

 

Representation

 

Imagination

 

wrought

 

Modern

 

Verses

 

defence

 

acknowledged


tragoedia

 
indigna
 

versus

 

reasons

 

ranked

 
dispute
 

Sonnet

 
ordinary
 

setting

 
ARISTOTLE

leveis
 

Effutire

 
Heroic
 
noblest
 

alleges

 

Indignatur

 
fortunes
 

pourtray

 
privatis
 

THYESTOE