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descriptions entered the port--for the whaling was then _the_ trade. But the steamer was beginning to count, and the beginning of the Sydney steam trade is not without a peculiar interest--for Londoners at any rate. The _Sophia Jane_ was the first steamer in Australasian waters. She arrived in Sydney from London, _via_ the Cape of Good Hope, with cargo and passengers, on the 14th of May. This vessel was built on the Thames by a well-known shipbuilder of the time, William Evans, who was the builder of many other notable early steamers. She was running for a summer or two as a passenger steamer between Gravesend and London; then between different ports in the south of England; and then, under a Lieutenant Biddulph, of the Royal Navy, she was sent to Sydney. The little vessel was 126 feet long by 20 feet beam, drew 6 feet of water, was of 256 tons burden, and had accommodation for fifty-four passengers; her engines were of 50 horse-power, and her speed eight knots an hour. This was the first steamer in the Southern Seas--the forerunner of a fleet of mighty leviathans. End of the Project Gutenberg EBook of The Beginning Of The Sea Story Of Australia, by Louis Becke *** END OF THIS PROJECT GUTENBERG EBOOK SEA STORY OF AUSTRALIA *** ***** This file should be named 24997.txt or 24997.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/9/9/24997/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public
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