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nce withdrew. The following evening he went again. His appearance was the signal for the cessation of all occupation, every one being eager to watch the developments of events. He selected his card--an ace. The dealing began: to the right, a queen; to the left, an ace. "The ace wins," remarked Herman, turning up his card without glancing at it. "Your queen is killed," remarked Tchekalinsky quietly. Herman trembled; looking down, he saw, not the ace he had selected, but the queen of spades. He could scarcely believe his eyes. It seemed impossible that he could have made such a mistake. As he stared at the card it seemed to him that the queen winked one eye at him mockingly. "The old woman!" he exclaimed involuntarily. The croupier raked in the money while he looked on in stupid terror. When he left the table, all made way for him to pass; the cards were shuffled, and the gambling went on. Herman became a lunatic. He was confined at the hospital at Oboukov, where he spoke to no one, but kept constantly murmuring in a monotonous tone: "The tray, seven, ace! The tray, seven, queen!" End of the Project Gutenberg EBook of The Queen Of Spades, by Alexander Sergeievitch Poushkin *** END OF THIS PROJECT GUTENBERG EBOOK THE QUEEN OF SPADES *** ***** This file should be named 23058.txt or 23058.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/0/5/23058/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practicall
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