ICAL STUDY OF THE SOURCES
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SUMMARY
I. ST. FRANCIS'S WORKS.
II. BIOGRAPHIES PROPERLY SO CALLED.
1. Preliminary Note.
2. First Life by Thomas of Celano.
3. Review of the History of the Order 1230-1244.
4. Legend of the Three Companions.
5. Fragments of the Suppressed Portion of the Legend.
6. Second Life by Thomas of Celano. First Part.
7. Second Life by Thomas of Celano. Second Part.
8. Documents of Secondary Importance:
Biography for Use of the Choir.
Life in Verse.
Biography by Giovanni di Ceperano.
Life by Brother Julian.
9. Legend of St. Bonaventura.
10. De Laudibus of Bernard of Besse.
III. DIPLOMATIC DOCUMENTS.
1. Donation of the Verna.
2. Registers of Cardinal Ugolini.
3. Bulls.
IV. CHRONICLERS OF THE ORDER.
1. Chronicle of Brother Giordano di Giano.
2. Eccleston: Arrival of the Friars in England.
3. Chronicle of Fra Salimbeni.
4. Chronicle of the Tribulations.
5. The Fioretti and their Appendices.
6. Chronicle of the XXIV. Generals.
7. The Conformities of Bartolommeo di Pisa.
8. Glassberger's Chronicle.
9. Chronicle of Mark of Lisbon.
V. CHRONICLERS NOT OF THE ORDER.
1. Jacques de Vitry.
2. Thomas of Spalato.
3. Divers Chroniclers.
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CRITICAL STUDY OF THE SOURCES
There are few lives in history so abundantly provided with documents as
that of St. Francis. This will perhaps surprise the reader, but to
convince himself he has only to run over the preceding list, which,
however, has been made as succinct as possible.
It is admitted in learned circles that the essential elements of this
biography have disappeared or have been entirely altered. The
exaggeration of certain religious writers, who accept everything, and
among several accounts of the same fact always choose the longest and
most marvellous, has led to a like exaggeration in the contrary sense.
If it were necessary to point out the results of these two excesses as
they affect each event, this volume would need to be twice and even four
times as large as it is. Those who are interested in these questions
will find in the notes brief indications of the original documents on
which each narrative is based.[1]
To close the subject
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