idence of Gregory IX. he removed the _Zelanti_ from their
charges, strengthened the discipline even in the most remote provinces,
obtained numerous privileges from the curia, and with incredible
rapidity prepared for the building of the double basilica, destined for
the repose of the ashes of the Stigmatized Saint; but notwithstanding
all his efforts, the chapter of 1227 set him aside and chose Giovanni
Parenti as minister-general.
Furious at this check, he immediately set all influences to work to be
chosen at the following chapter. It even seems as if he paid no
attention to the nomination of Giovanni Parenti, and continued to go on
as if he had been minister.[4]
Very popular among the Assisans, who were dazzled by the magnificence of
the monument which was springing up on the _Hill of Hell_, now become
the _Hill of Paradise_, sure of being supported by a considerable party
in the Order and by the pope, he pushed forward the work on the basilica
with a decision and success perhaps unique in the annals of
architecture.[5]
All this could not be done without arousing the indignation of the
Zealots of poverty. When they saw a monumental poor-box, designed to
receive the alms of the faithful, upon the tomb of him who had forbidden
his disciples the mere contact of money, it seemed to them that
Francis's prophecy of the apostasy of a part of the Order was about to
be fulfilled. A tempest of revolt swept over the hermitages of Umbria.
Must they not, by any means, prevent this abomination in the holy place?
They knew that Elias was terrible in his severities, but his opponents
felt in themselves courage to go to the last extremity, and suffer
everything to defend their convictions. One day the poor-box was found
shattered by Brother Leo and his friends.[6]
To this degree of intensity the struggle had arrived. At this crisis the
first legend appeared.
II. First Life by Thomas of Celano[7]
Thomas of Celano, in writing this legend, to which he was later to
return for its completion, obeyed an express order of Pope Gregory
IX.[8]
Why did he not apply to one of the Brothers of the Saint's immediate
circle? The talent of this author might explain this choice, but
besides the fact that literary considerations would in this case hold a
secondary place, Brother Leo and several others proved later that they
also knew how to handle the pen.
If Celano was put in trust with the official biography, it is because,
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