t is not known that the
brother's name was Marco.
On the whole, this account of the authorship of the "Portuguese
Hymn"--originally written for the old Christmas church song "Adeste
Fideles"--is late and uncertain. Heard (perhaps for the first time) in
the Portuguese Chapel, London, it was given the name which still clings
to it. If proofs of its Portuguese origin exist, they may yet be found.
"How Firm a Foundation" was the favorite of Deborah Jackson, President
Andrew Jackson's beloved wife, and on his death-bed the warrior and
statesman called for it. It was the favorite of Gen. Robert E. Lee, and
was sung at his funeral. The American love and familiar preference for
the remarkable hymn was never more strikingly illustrated than when on
Christmas Eve, 1898, a whole corps of the United States army Northern
and Southern, encamped on the Quemados hills, near Havana, took up the
sacred tune and words--
"Fear not, I am with thee, O be not dismayed."
Lieut. Col. Curtis Guild (since Governor Guild of Massachusetts) related
the story in the Sunday School Times for Dec. 7, 1901, and Dr. Benson
quotes it in his book.
[Illustration: John Wesley]
"WHILE THEE I SEEK, PROTECTING POWER."
Miss Helen Maria Williams, who wrote this gentle hymn of confidence, in
1786, was born in the north of England in 1762. When but a girl she won
reputation by her brilliant literary talents and a mental grasp and
vigor that led her, like Gail Hamilton, "to discuss public affairs,
besides clothing bright fancies and devout thoughts in graceful verse."
Most of her life was spent in London, and in Paris, where she died, Dec.
14, 1827.
While Thee I seek, Protecting Power
Be my vain wishes stilled,
And may this consecrated hour
With better hopes be filled:
* * * * *
When gladness wings my favored hour,
Thy love my thoughts shall fill,
Resigned where storms of sorrow lower
My soul shall meet Thy will.
My lifted eye without a tear
The gathering storm shall see:
My steadfast heart shall know no fear:
My heart will rest on Thee.
_THE TUNES._
Old "Norwich," from _Day's Psalter_, and "Simpson," adapted from Louis
Spohr, are found with the hymn in several later manuals. In the memories
of older worshipers "Brattle-Street," with its melodious choral and duet
arranged from Pleyel by Lowell Mason, is inseparable from Miss
Williams' w
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