ventional were
needed to make the poem a hymn. But the professional tone of the
appended stanza, virtually all in its two lines--
Then come to the dear Redeemer,
He will cleanse you from every stain,
--is forced into its connection. The poem told the truth, and stopped
there; and should be left to fasten its own impression. There never was
a more solemn warning uttered than in this little apologue. It promises
"compensation" and "healing," but not perfect rehabilitation. Sin will
leave its scars. Even He who "became sin for us" bore them in His
resurrection body.
Rev. Frank M. Lamb, composer and singer of the hymn-tune, was born in
Poland, Me., 1860, and educated in the schools of Poland and Auburn. He
was licensed to preach in 1888, and ordained the same year, and has
since held pastorates in Maine, New York, and Massachusetts.
Besides his tune, very pleasing and appropriate music has been written
to the little ballad of the broken wing by Geo. C. Stebbins.
[Illustration: Ellen M.H. Gates]
UNDER THE PALMS.
In the cantata, "Under the Palms" ("Captive Judah in Babylon")--the
joint production of George F. Root[19] and Hezekiah Butterworth, several
of the latter's songs detached themselves, with their music, from the
main work, and lingered in choral or solo service in places where the
sacred operetta was presented, both in America and England. One of these
is an effective solo in deep contralto, with a suggestion of recitative
and chant--
By the dark Euphrates' stream,
By the Tigris, sad and lone
I wandered, a captive maid;
And the cruel Assyrian said,
"Awake your harp's sweet tone!"
I had heard of my fathers' glory from the lips of holy men,
And I thought of the land of my fathers; I thought of my fathers'
land then.
Another is--
O church of Christ! our blest abode,
Celestial grace is thine.
Thou art the dwelling-place of God,
The gate of joy divine.
Whene'er I come to thee in joy,
Whene'er I come in tears,
Still at the Gate called Beautiful
My risen Lord appears.
--with the chorus--
Where'er for me the sun may set,
Wherever I may dwell,
My heart shall nevermore forget
Thy courts, Immanuel!
[Footnote 19: See page 316.]
"IF YOU CANNOT ON THE OCEAN."
This popular Christian ballad, entitled "Your Mission," was written one
stormy day in the winter o
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