FREE BOOKS

Author's List




PREV.   NEXT  
|<   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163  
164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   >>   >|  
ventional were needed to make the poem a hymn. But the professional tone of the appended stanza, virtually all in its two lines-- Then come to the dear Redeemer, He will cleanse you from every stain, --is forced into its connection. The poem told the truth, and stopped there; and should be left to fasten its own impression. There never was a more solemn warning uttered than in this little apologue. It promises "compensation" and "healing," but not perfect rehabilitation. Sin will leave its scars. Even He who "became sin for us" bore them in His resurrection body. Rev. Frank M. Lamb, composer and singer of the hymn-tune, was born in Poland, Me., 1860, and educated in the schools of Poland and Auburn. He was licensed to preach in 1888, and ordained the same year, and has since held pastorates in Maine, New York, and Massachusetts. Besides his tune, very pleasing and appropriate music has been written to the little ballad of the broken wing by Geo. C. Stebbins. [Illustration: Ellen M.H. Gates] UNDER THE PALMS. In the cantata, "Under the Palms" ("Captive Judah in Babylon")--the joint production of George F. Root[19] and Hezekiah Butterworth, several of the latter's songs detached themselves, with their music, from the main work, and lingered in choral or solo service in places where the sacred operetta was presented, both in America and England. One of these is an effective solo in deep contralto, with a suggestion of recitative and chant-- By the dark Euphrates' stream, By the Tigris, sad and lone I wandered, a captive maid; And the cruel Assyrian said, "Awake your harp's sweet tone!" I had heard of my fathers' glory from the lips of holy men, And I thought of the land of my fathers; I thought of my fathers' land then. Another is-- O church of Christ! our blest abode, Celestial grace is thine. Thou art the dwelling-place of God, The gate of joy divine. Whene'er I come to thee in joy, Whene'er I come in tears, Still at the Gate called Beautiful My risen Lord appears. --with the chorus-- Where'er for me the sun may set, Wherever I may dwell, My heart shall nevermore forget Thy courts, Immanuel! [Footnote 19: See page 316.] "IF YOU CANNOT ON THE OCEAN." This popular Christian ballad, entitled "Your Mission," was written one stormy day in the winter o
PREV.   NEXT  
|<   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163  
164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   >>   >|  



Top keywords:

fathers

 

ballad

 

written

 

thought

 

Poland

 

wandered

 
Mission
 
Euphrates
 

stream

 

captive


Tigris

 

entitled

 

popular

 

Christian

 

Assyrian

 

suggestion

 

stormy

 

service

 

places

 
choral

lingered

 

winter

 

sacred

 

effective

 

contralto

 

presented

 

operetta

 

America

 
England
 

recitative


Beautiful

 

Footnote

 

called

 

appears

 

chorus

 
nevermore
 

forget

 

Wherever

 

Immanuel

 

courts


divine

 
Another
 

church

 

Christ

 

CANNOT

 

dwelling

 
Celestial
 

Captive

 

apologue

 
promises