in the front rank of female hymn-writers.
The tune of "Woodworth," by William B. Bradbury, has mostly superseded
Mason's "Elliott," and is now the accepted music of this lyric of
perfect faith and pious surrender.
Just as I am,--Thy love unknown
Hath broken every barrier down,
Now to be Thine, yea, Thine alone,
O Lamb of God, I come, I come.
"MY HOPE IS BUILT ON NOTHING LESS."
The Rev. Edward Mote was born in London, 1797. According to his own
testimony his parents were not God-fearing people, and he "went to a
school where no Bible was allowed;" but at the age of sixteen he
received religious impressions from a sermon of John Hyatt in Tottenham
Court Chapel, was converted two years later, studied for the ministry,
and ultimately became a faithful preacher of the gospel. Settled as
pastor of the Baptist Church in Horsham, Sussex, he remained there
twenty-six years--until his death, Nov. 13, 1874. The refrain of his
hymn came to him one Sabbath when on his way to Holborn to exchange
pulpits:
On Christ the solid rock I stand,
All other ground is sinking sand.
There were originally six stanzas, the first beginning:
Nor earth, nor hell, my soul can move,
I rest upon unchanging love.
The refrain is a fine one, and really sums up the whole hymn, keeping
constantly at the front the corner-stone of the poet's trust.
My hope is built on nothing less
Than Jesus' blood and righteousness.
I dare not trust the sweetest frame,
But only lean on Jesus' name.
On Christ the solid Rock I stand
All other ground is sinking sand.
When darkness veils His lovely face
I trust in His unchanging grace,
In every high and stormy gale
My anchor holds within the veil.
On Christ the solid Rock, etc.
Wm. B. Bradbury composed the tune (1863). It is usually named "The Solid
Rock."
"ABIDE WITH ME! FAST FALLS THE EVENTIDE."
The Rev. Henry Francis Lyte, author of this melodious hymn-prayer, was
born at Ednam, near Kelso, Scotland, June first, 1793. A scholar,
graduated at Trinity College, Dublin; a poet and a musician, the
hard-working curate was a man of frail physique, with a face of almost
feminine beauty, and a spirit as pure and gentle as a little child's.
The shadow of consumption was over him all his life. His memory is
chiefly associated with the district church at Lower Brixham,
Devonshire, where he became "perpetual curate" in 1823.
|