'royalty was as firm as that
of the gods in the sky.' For two thousand years the obelisk remained in
Heliopolis as a memorial of its builder, Thotmes III, but for the past
fifteen hundred years it has stood here as a monument to the Emperor
Theodosius, who brought it from Egypt as a trophy. In order that he
might not be forgotten, the Emperor caused a representation of himself
surrounded by courtiers, guards, and dancing girls to be carved on the
base of the obelisk. These sculptures, as you see, are in good
condition. The bronze 'Serpent Column' in the centre of the square,
representing three serpents coiled around each other, once supported the
tripod used in the ceremonial services of the Pythian oracle at Delphi."
When the guide had finished his remarks, our friend, the professor,
stepped forward and said: "Some of the tourists may not be familiar with
the story of the horses that lived as long and traveled as far as did
the 'Wandering Jew' in Eugene Sue's well known romance. The conductor
has requested me to relate the story."
"In some ancient time before the Christian era, a Roman conqueror found
in an Oriental city four magnificent horses that pleased him. He took
them to Rome to grace his triumph. Centuries later the covetous Emperor
Constantine brought these same horses from Rome to Constantinople and
stood them here to add glory to the splendor of his Hippodrome. For nine
hundred years the horses remained undisturbed; then ruthless Christian
Crusaders carried them with other spoils to Venice. A long rest at
Venice succeeded until the ambitious Bonaparte drew them away to
beautify his famous Capitol. After the downfall of Napoleon the prayers
of the Venetians were effectual in bringing the horses away from Paris,
and now these gilded bronze travelers, that were coveted and prized by
great rulers of the world, stand in front of the Church of San Marco in
the city of Venice."
[Illustration: WAGONS ARE RARELY USED, MEN CARRY MERCHANDISE.]
As the professor ceased speaking, a clear penetrating voice was heard
from overhead crying:
"Al-la-hu, Ak-bar! Al-la-hu, Ak-bar!" uttering each syllable distinctly.
It was the Muezzin calling the people to prayer. Looking up we saw him
on a little balcony near the summit of a minaret which stood within the
enclosure of the adjoining Mosque of Ahmed. Then he disappeared and we
heard more faintly his call from the farther side of the balcony. It is
the Muezzin's duty t
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