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st Popish house in Britain. A superstitious person might almost imagine that one of the old Scottish Covenanters, whilst the grand house was being built from the profits resulting from the sale of writings favouring Popery and persecution, and calumniatory of Scotland's saints and martyrs, had risen from the grave, and banned Scott, his race, and his house, by reading a certain psalm. In saying what he has said about Scott the author has not been influenced by any feeling of malice or ill-will, but simply by a regard for truth, and a desire to point out to his countrymen the harm which has resulted from the perusal of his works; he is not one of those who would depreciate the talents of Scott, he admires his talents, both as a prose writer and a poet. As a poet especially he admires him, and believes him to have been by far the greatest, with perhaps the exception of Mickiewicz, who only wrote for unfortunate Poland, that Europe has given birth to during the last hundred years. As a prose writer he admires him less, it is true, but his admiration for him in that capacity is very high, and he only laments that he prostituted his talents to the cause of the Stuarts and gentility. What book of fiction of the present century can you read twice, with the exception of 'Waverley' and 'Rob Roy?' There is 'Pelham,' it is true, which the writer of these lines has seen a Jewess reading in the steppe of Debreczin, and which a young Prussian Baron, a great traveller, whom he met at Constantinople in '44, told him he always carried in his valise. And in conclusion he will say, in order to show the opinion which he entertains of the power of Scott as a writer, that he did for the spectre of the wretched Pretender what all the kings of Europe could not do for his body--placed it on the throne of these realms, and for Popery what Popes and Cardinals strove in vain to do for three centuries--brought back its mummeries and nonsense into the temples of the British Isles. Scott during his lifetime had a crowd of imitators, who, whether they wrote history so called, poetry so called, or novels--nobody would call a book a novel if he could call it anything else--wrote Charlie o'er the water nonsense, and now that he has been dead a quarter of a century, there are others daily springing up who are striving to imitate Scott in his Charlie o'er the water nonsense--for nonsense it is, even when flowing from his pen. They, too, must write
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