under head "Giovanni Grisostomo;"
Gentile, his brother, iii. 21.
Berti, Bellincion, ii. 263.
Browning, Elizabeth B., her poetry, ii. 206.
Bunsen, Chevalier, his work on Romanesque Churches, ii. 381.
Bunyan, John, his portraiture of constancy, ii. 333; of patience, ii.
334; of vanity, ii. 346; of sin, iii. 147.
C
Calendario, Filippo, iii. 199.
Canaletto, i. 24; and see Venetian Index under head "Carita."
Canova, i. 217; and see Venetian Index under head "Frari."
Cappello, Vincenzo, his tomb, iii. 122.
Caracci, school of the, i. 24.
Cary, his translation of Dante, ii. 264.
Cavalli, Jacopo, his tomb, iii. 82.
Cicero, influence of his philosophy, ii. 317, 318.
Claude Lorraine, i. 24.
Comnenus, Manuel, ii. 263.
Cornaro, Marco, his tomb, iii. 79.
Correggio, ii. 192.
Crabbe, naturalism in his poetry, ii. 195.
D
Dandolo, Andrea, tomb of, ii. 70; Francesco, tomb of, iii. 74;
character of, iii. 76; Simon, tomb of, iii. 79.
Dante, his central position, ii. 340, iii. 158; his system of virtue,
ii. 323; his portraiture of sin, iii. 147.
Daru, his character as a historian, iii. 213.
Dolci, Carlo, ii. 105.
Dolfino, Giovanni, tomb of, iii. 78.
Durer, Albert, his rank as a landscape painter, i. 383; his power in
grotesque, iii. 145.
E
Edwin, King, his conversion, iii. 62.
F
Faliero, Bertuccio, his tomb, iii. 94; Marino, his house, ii. 254;
Vitale, miracle in his time, ii. 61.
Fergusson, James, his system of beauty, i. 388.
Foscari, Francesco, his reign, i. 4, iii. 165; his tomb, iii. 84; his
countenance, iii. 86.
G
Garbett, answer to Mr., i. 403.
Ghiberti, his sculpture, i. 217.
Giotto, his system of the virtues, ii. 323, 329, 341; his rank as a
painter, ii. 188, iii. 172.
Giulio Romano, i. 23.
Giustiniani, Marco, his tomb, i. 315; Sebastian, ambassador to
England, iii. 224.
Godfrey of Bouillon, his piety, iii. 62.
Gozzoli, Benozzo, ii. 195.
Gradenigo, Pietro, ii. 290.
Grande, Can, della Scala, his tomb, i. 268 (the cornice _g_ in Plate
XVI. is taken from it), iii. 71.
Guariento, his Paradise, ii. 296.
Guercino, ii. 105.
H
Hamilton, Colonel, his paper on the Serapeum, ii. 220.
Hobbima, iii. 184.
Hunt, William, his painting of peasant boys, ii. 192; of still life,
ii. 394.
Hunt, William Holman, relation of his works to modern and a
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