Priests, restricted power of, in Venice, i. 366.
Proportions, subtlety of, in early work, ii. 38, 121, 127.
Protestantism, its influence on art, i. 23; typified in ornament, i.
316; influence of, on prosperity of nations, i. 368; expenditure in
favor of, i. 434; is incapable of judging of art, ii. 105; how
expressed in art, ii. 205; its errors in opposing Romanism, iii, 102,
103, 104; its shame of religious confession, ii. 278.
Prudence, how symbolized, ii. 340.
Pulpits, proper structure of, ii. 22, 380.
Purism in art, its nature and definition, ii. 189.
Purity, how symbolized, iii. 20.

Q

Quadrupeds, use of in ornamentation, i. 234.
Quantity of ornament, its regulation, i. 23.

R

Rationalism, its influence on art, i. 23.
Realization, how far allowable in noble art, iii. 182, 186.
Recesses, decoration of, i. 278.
Recumbent statues, iii. 72.
Redundance, an element of Gothic, ii. 206.
Religion, its influence on Venetian policy, i. 6; how far aided by
pictorial art, ii. 104, 109; contempt of, in Renaissance times, iii.
122.
Renaissance architecture, nature of, iii. 33; early, iii. 1;
Byzantine, iii. 15; Roman, iii. 32; Grotesque, iii. 112;
inconsistencies of, iii. 42, etc.
Reptiles, how used in ornamentation, i. 230.
Resistance, line of, in arches, i. 126.
Restraint, ornamental, value of, i. 255.
Reverence, how ennobling to humanity, ii. 163.
Rhetoric, a base study, iii. 106.
Rigidity, an element of Gothic, ii. 203.
Rivers, symbolical representation of, i. 419, 420.
Rocks, use of, in ornamentation, i. 224; organization of, i. 246;
curvatures of, i. 58, 224.
Roll-mouldings, decoration of, i. 276.
Romance, modern errors of, ii. 4; how connected with dress, iii. 192.
Romanesque style, i. 15, 19, 145; ii. 215. See "Byzantine," and
"Renaissance."
Romanism. See "Popery."
Roofs, analysis of, i. 46, 148; ii. 212, 216; domed, i. 149; Swiss,
i. 149, 345; steepness of, conducive to Gothic character, i. 151, ii.
209; decoration of, i. 343.
Rustication, is ugly and foolish, i. 65; natural objects of which it
produces a resemblance, i. 296.

S

Salvia, its leaf applied to architecture, i. 287, 306.
Sarcophagi, Renaissance treatment of, iii. 90; ancient, iii. 69, 93.
Satellitic shafts, i. 95.
Satire in Grotesque art, iii. 126, 145.
Savageness, the first element of Gothic, ii. 155;