FREE BOOKS

Author's List




PREV.   NEXT  
|<   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262  
263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   >>   >|  
i. 86. Anachronism, necessity of, in the best art, ii. 198. Anatomy, a disadvantageous study for artists, iii. 47. Angels, use of their images in Venetian heraldry, ii. 278; statues of, on the Ducal Palace, ii. 311. Anger, how symbolically represented, ii. 344. Angles, decoration of, i. 260; ii. 305; of Gothic Palaces, ii. 238; of Ducal Palace, ii. 307. Animal character in northern and southern climates, ii. 156; in grotesque art, iii. 149. Apertures, analysis of their structure, i. 50; general forms of, i. 174. Apse, forms of, in southern and northern churches compared, i. 170. Arabesques of Raffaelle, their baseness, iii. 136. Arabian architecture, i. 18, 234, 235, 429; ii. 135. Arches, general structure of, i. 122; moral characters of, i. 126; lancet, round, and depressed, i. 129; four-centred, i. 130; ogee, i. 131; non-concentric, i. 133, 341; masonry of, i. 133, ii. 218; load of, i. 144; are not derived from vegetation, ii. 201. Architects, modern, their unfortunate position, i. 404, 407. Architecture, general view of its divisions, i. 47-51; how to judge of it, ii. 173; adaptation of, to requirements of human mind, iii. 192; richness of early domestic, ii. 100, iii. 2; manner of its debasement in general, iii. 3. Archivolts, decoration of, i. 334; general families of, i. 335; of Murano, ii. 49; of St. Mark's, ii. 95; in London, ii. 97; Byzantine, ii. 138; profiles of, iii. 244. Arts, relative dignity of, i. 395; how represented in Venetian sculpture, ii. 355; what relation exists between them and their materials, ii. 394; art divided into the art of facts, of design, and of both, ii. 183; into purist, naturalist, and sensualist, ii. 187; art opposed to inspiration, iii. 151; defined, iii. 170; distinguished from science, iii. 35; how to enjoy that of the ancients, iii. 188. Aspiration, not the primal motive of Gothic work, i. 151. Astrology, judicial, representation of its doctrines in Venetian sculpture, ii. 352. Austrian government in Italy, iii. 209. Avarice, how represented figuratively, ii. 344. B Backgrounds, diapered, iii. 20. Balconies, of Venice, ii. 243; general treatment of, iii. 254; of iron, ii. 247. Ballflower, its use in ornamentation, i. 279. Balustrades. See "Balconies." Bases, general account of, iii. 225; of walls, i. 55; of piers, i. 73; of shaft
PREV.   NEXT  
|<   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262  
263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   >>   >|  



Top keywords:

general

 

represented

 

Venetian

 

decoration

 

structure

 

Balconies

 
Gothic
 
southern
 

sculpture

 

northern


Palace

 

divided

 

sensualist

 

design

 

purist

 

exists

 

materials

 

relation

 

naturalist

 
Byzantine

families

 

Murano

 

Archivolts

 

manner

 

debasement

 

profiles

 

relative

 

London

 
dignity
 

motive


treatment

 

Ballflower

 

Venice

 

Backgrounds

 

diapered

 
ornamentation
 

Balustrades

 

account

 

figuratively

 

Avarice


ancients

 
Aspiration
 

inspiration

 

defined

 

distinguished

 

science

 
primal
 

domestic

 

Austrian

 
government