FREE BOOKS

Author's List




PREV.   NEXT  
|<   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259  
260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   >>   >|  
ncient art, iii. 185. K Knight, Gally, his work on Architecture, i. 378. L Leonardo da Vinci, ii. 171. Louis XI., iii. 194. M Martin, John, ii. 104. Mastino, Can, della Scala, his tomb, ii. 224, iii. 72. Maynard, Miss, her poems, ii. 397. Michael Angelo, ii. 134, 188, iii. 56, 90, 99, 158. Millais, John E., relation of his works to older art, iii. 185; aerial perspective in his "Huguenot," iii. 47. Milton, how inferior to Dante, iii. 147. Mocenigo, Tomaso, his character, i. 4; his speech on rebuilding the Ducal Palace, ii. 299; his tomb, i. 26, iii. 84. Morosini, Carlo, Count, note on Daru's History by, iii. 213. Morosini, Marino, his tomb, iii. 93. Morosini, Michael, his character, iii. 213; his tomb, iii. 80. Murillo, his sensualism, ii. 192. N Napoleon, his genius in civil administration, i. 399. Niccolo Pisano, i. 215. O Orcagna, his system of the virtues, ii. 329. Orseolo, Pietro (Doge), iii. 120. Otho the Great, his vow at Murano, ii. 32. P Palladio, i. 24, 146; and see Venetian Index, under head "Giorgio Maggiore." Participazio, Angelo, founds the Ducal Palace, ii. 287. Pesaro, Giovanni, tomb of, iii. 92; Jacopo, tomb of, iii. 91. Philippe de Commynes, i. 12. Plato, influence of his philosophy, ii. 317, 338; his playfulness, iii. 127. Poussin, Nicolo and Gaspar, i. 23. Procaccini, Camillo, ii. 188. Prout, Samuel, his style, i. 250, iii. 19, 134. Pugin, Welby, his rank as an architect, i. 385. Q Querini, Marco, his palace, ii. 255. R Raffaelle, ii. 188, iii. 56, 108, 136. Reynolds, Sir J., his painting at New College, ii. 323; his general manner, iii. 184. Rogers, Samuel, his works, ii. 195, iii. 113. Rubens, intellectual rank of, i. 400; coarseness of, ii. 145. S Salvator Rosa, i. 24, ii. 105, 145, 188. Scaligeri, tombs of, at Verona; see "Grande," "Mastino," "Signorio;" palace of, ii. 257. Scott, Sir W., his feelings of romance, iii. 191. Shakspeare, his "Seven Ages," whence derived, ii. 361. Sharpe, Edmund, his works, i. 342, 408. Signorio, Can, della Scala, his tomb, character, i. 268, iii. 73. Simplicius, St., ii. 356. Spenser, value of his philosophy, ii. 327, 341; his personifications of the months, ii. 272; his system of the virtues, ii. 326; scheme of the first book o
PREV.   NEXT  
|<   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259  
260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   >>   >|  



Top keywords:

Morosini

 

character

 

Angelo

 

Signorio

 

Samuel

 

philosophy

 
virtues
 
Michael
 

palace

 

system


Palace

 

Mastino

 

architect

 

months

 

Raffaelle

 

Reynolds

 

Querini

 

personifications

 

Camillo

 
playfulness

influence

 

Philippe

 

Commynes

 

Poussin

 

scheme

 

Procaccini

 

Nicolo

 

Gaspar

 
Grande
 

Scaligeri


Verona

 

feelings

 

derived

 

Edmund

 

romance

 
Shakspeare
 

Salvator

 

Rogers

 

manner

 

general


Sharpe

 
College
 

Rubens

 

coarseness

 

Simplicius

 

intellectual

 
Spenser
 

painting

 

aerial

 
perspective