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of men," as he or Wilson describes himself in the _Chaldee Manuscript_ (for the passage is beyond Hogg's part), certainly justified the description. As to this famous _Manuscript_, the late Professor Ferrier undoubtedly made a blunder (in the same key as those that he made in describing the _Noctes_, in company with which he reprinted it) as "in its way as good as _The Battle of the Books_." _The Battle of the Books_, full of mistakes as it is, is literature, and the _Chaldee Manuscript_ is only capital journalism. But it is capital journalism; and the exuberance of its wit, if it be only wit of the undergraduate kind (and Lockhart at least was still but an undergraduate in years), is refreshing enough. The dreadful manner in which it fluttered the dovecotes of Edinburgh Whiggism need not be further commented on, till Lockhart's next work (this time an almost though not quite independent one) has been noticed. This was _Peter's Letters to his Kinsfolk_, an elaborate book, half lampoon, half mystification, which appeared in 1819. This book, which derived its title from Scott's account of his journey to Paris, and in its plan followed to some extent _Humphrey Clinker_, is one of the most careful examples of literary hoaxing to be found. It purported to be the work of a certain Dr. Peter Morris, a Welshman, and it is hardly necessary to say that there was no such person. It had a handsome frontispiece depicting this Peter Morris, and displaying not, like the portrait in Southey's _Doctor_, the occiput merely, but the full face and features. This portrait was described, and as far as that went it seems truly described, as "an interesting example of a new style of engraving by Lizars." Mr. Bates, who probably knows, says that there was no first edition, but that it was published with "second edition" on the title-page. My copy has the same date, 1819, but is styled the _third_ edition, and has a postscript commenting on the to-do the book made. However all this may be, it is a very handsome book, excellently printed and containing capital portraits and vignettes, while the matter is worthy of the get-up. The descriptions of the Outer-House, of Craigcrook and its high jinks, of Abbotsford, of the finding of "Ambrose's," of the manufacture of Glasgow punch, and of many other things, are admirable; and there is a charming sketch of Oxford undergraduate life, less exaggerated than that in _Reginald Dalton_, probably because the su
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