FREE BOOKS

Author's List




PREV.   NEXT  
|<   370   371   372   373   374   375   376   377   378   379   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394  
395   396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   >>   >|  
Van Eycks. This charge has, however, been proved to be an untruth; Domenico died four years after Andrea. The latter is commonly called "Andrea (or Andreino) degl' Impiccati" (of the Hanged Men); this was in consequence of his being commissioned in 1435 to paint, in the Palazzo del Podesta in Florence, the fallen leaders of the Peruzzi and Albizzi--not (as currently said) the men of the Pazzi conspiracy, an event which did not occur until 1478, long after this painter's death. One of his principal works now extant (most of them have perished) is the equestrian figure of Nicola di Tolentino, in the cathedral of Florence. CASTALIA, or FONS CASTALIUS, a celebrated fountain in Greece, now called the Fountain of St John, which rises in a chasm of Mount Parnassus, in the neighbourhood of Delphi. It was sacred to Apollo and the Muses, and its water was used in the religious purifications of the "Pythian Pilgrims." From its connexion with the Muses it is sometimes referred to by late Greek writers (e.g. Lucian, _Jup. Trag._ 30) and Latin poets (e.g. Ovid, _Am._ i. 15. 36) as a source of inspiration, and this has passed into a commonplace of modern literature. According to some authorities the nymph Castalia was the daughter of Achelous; according to others the water of the spring was derived from the Boeotian Cephissus. CASTANETS (Fr. _castagnettes_, Ger. _Kastagnetten_, Span. _castanuelas_), instruments of percussion, introduced through the Moors by way of Spain into Europe from the East, used for marking the rhythm in dancing. Castanets, always used in pairs, one in each hand, consist of two pear or mussel-shaped bowls of hard wood, hinged together by a silk cord, the loop being passed over the thumb and first finger. The two halves are then struck against each other by the other fingers in single, double or triple beats, giving out series of hollow clicks of indefinite musical pitch. When intended for use in the orchestra the pair of castanets is mounted one at each end of a wooden stick about 8 in. long, which facilitates the playing. Castanets are also sometimes used in military bands and are then specially constructed. The two halves are kept open by a slight spring fixed to a frame attached to the hoop of a side drum, and the instrument is worked by the drummer with an ordinary drum-stick. An instance of the use of castanets in opera occurs in the Habanera in _Carmen_. A quaint description of _castinatts_
PREV.   NEXT  
|<   370   371   372   373   374   375   376   377   378   379   380   381   382   383   384   385   386   387   388   389   390   391   392   393   394  
395   396   397   398   399   400   401   402   403   404   405   406   407   408   409   410   411   412   413   414   415   416   417   418   419   >>   >|  



Top keywords:

Florence

 

Castanets

 
castanets
 

halves

 

Andrea

 

passed

 
spring
 
called
 

hinged

 

shaped


CASTANETS
 
Cephissus
 
mussel
 

derived

 

Boeotian

 

marking

 
dancing
 

instruments

 

percussion

 

introduced


rhythm

 

castanuelas

 

Kastagnetten

 

consist

 

Europe

 

castagnettes

 

series

 

slight

 

attached

 

military


specially

 

constructed

 

instrument

 

worked

 

Carmen

 
quaint
 
description
 

castinatts

 

Habanera

 

occurs


ordinary
 
drummer
 

instance

 

playing

 

facilitates

 

giving

 
hollow
 

triple

 
double
 

struck