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the families of Guido and Ridolfo at one blow. As a consequence of this wholesale murder, Perugia would be at their discretion. Seeing of what use Grifonetto by his wealth and name might be to them, they did all they could to persuade him to join their conjuration. It would appear that the bait first offered him was the sovereignty of the city, but that he was at last gained over by being made to believe that his wife Zenobia had carried on an intrigue with Gianpaolo Baglioni. The dissolute morals of the family gave plausibility to an infernal trick which worked upon the jealousy of Grifonetto. Thirsting for revenge, he consented to the scheme. The conspirators were further fortified by the accession of Jeronimo della Staffa, and three members of the House of Corgna. It is noticeable that out of the whole number only two, Bernardo da Corgna and Filippo da Braccio, were above the age of thirty. Of the rest, few had reached twenty-five. At so early an age were the men of those times adepts in violence and treason. The execution of the plot was fixed for the wedding festivities of Astorre Baglioni with Lavinia, the daughter of Giovanni Colonna and Giustina Orsini. At that time the whole Baglioni family were to be assembled in Perugia, with the single exception of Marcantonio, who was taking baths at Naples for his health. It was known that the members of the noble house, nearly all of them condottieri by trade, and eminent for their great strength and skill in arms, took few precautions for their safety. They occupied several houses close together between the Porta San Carlo and the Porta Eburnea, set no regular guard over their sleeping chambers, and trusted to their personal bravery, and to the fidelity of their attendants.[2] It was thought that they might be assassinated in their beds. The wedding festivities began upon the 28th of July, and great is the particularity with which Matarazzo describes the doings of each successive day--processions, jousts, triumphal arches, banquets, balls, and pageants. The night of the 14th of August was finally set apart for the consummation of _el gran tradimento_: it is thus that Matarazzo always alludes to the crime of Grifonetto with a solemnity of reiteration that is most impressive. A heavy stone let fall into the courtyard of Guido Baglioni's palace was to be the signal: each conspirator was then to run to the sleeping chamber of his appointed prey. Two of the principals and fi
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