n Self-Culture_ (1838) was an
address introducing the Franklin Lectures delivered in Boston September
1838. Channing was an intimate friend of Horace Mann, and his views on
the education of children are stated, by no less an authority than
Elizabeth Palmer Peabody, to have anticipated those of Froebel. His
_Complete Works_ have appeared in various editions (5 vols., Boston,
1841; 2 vols., London, 1865; 1 vol., New York, 1875).
Among members of his family may be mentioned his two nephews William
Henry (1810-1884), son of his brother Francis Dana, and William Ellery,
commonly known as Ellery (1818-1901), son of his brother Walter, a
Boston physician (1786-1876). The former, whose daughter married Sir
Edwin Arnold, the English poet, became a Unitarian pastor, for some
time in America, and also in England, where he died; he was deeply
interested in Christian Socialism, and was a constant writer,
translating Jouffroy's _Ethics_ (1840), and assisting in editing the
_Memoirs of Margaret Fuller_ (1852); and he wrote the biography of his
uncle (see O.B. Frothingham's _Memoir_, 1886). Ellery Channing married
Margaret Fuller's sister (1842), and besides critical essays and poems
published an intimate sketch of Thoreau in 1873.
See the _Memoir_ by William Henry Channing (3 vols., London, 1848;
republished in one volume, New York, 1880); Elizabeth Palmer Peabody,
_Reminiscences of the Rev. William Ellery Channing, D.D_. (Boston,
1880), intimate but inexact; John White Chadwick, _William Ellery
Channing, Minister of Religion_ (Boston, 1903); and William M. Salter,
"Channing as a Social Reformer" (_Unitarian Review_, March 1888).
(R. We.)
CHANSONS DE GESTE, the name given to the epic chronicles which take so
prominent a place in the literature of France from the 11th to the 15th
century. Gaston Paris defined a chanson de geste as a song the subject
of which is a series of historical facts or _gesta_. These facts form
the centre around which are grouped sets of poems, called cycles, and
hence the two terms have in modern criticism become synonymous for the
epic family to which the hero of the particular group or cycle belongs.
The earliest chansons de geste were founded on the fusion of the
Teutonic spirit, under a Roman form, into the new Christian and French
civilization. It seems probable that as early as the 9th century epic
poems began to be chanted by the itinerant minstrels who are known as
jongleu
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