brackets imitating the wood forms of Venetian
courtyards, but cut in stone. The alteration in the slope of the east
end shows that it is a later addition. The same kind of cornice finishes
the east gable and the nave walls, and also runs round the apses, but
with richer mouldings above it, especially round the central one. The
curious Dalmatian square-leaf enrichment, channelled in six radiating
striae, and terminating in a small volute at the top corner occurs here.
There are two shafts to each small apse dividing the wall space, and
one window, but the central apse has four twisted shafts and three
windows, of which the central one is largest. In the gable is a
rose-window. On the roof of the northern aisle the lines of the plan and
elevation of parts of the campanile are cut, working drawings for the
masons. Heads of beasts project beneath the aisle cornice as gargoyles.
Above the ground story the tower is Gothic, and has two Gothic windows
of two lights on the south side, with octagonal shafts and traceried
heads. The other sides have arcading divided into two panels. Here there
is an inscription giving the date of 1422, and the names of the Masters
Mateus and Stefanus, probably the Matteo Goykovic who contracted for the
repair of church and campanile with the "operarius" of the church in
1421. The stage above has tall square-headed windows, with reticulated
tracery in the heads of cusped circles or quatrefoils, and two lights
below with central colonnette. The angles have shafts, and there is a
pointed trefoiled cornice with carved mouldings and cornice above. The
third story is Renaissance, finished in 1598 by Trifon Boccanich. Gothic
details still appear as in the shafted two-light windows, with the
pierced quatrefoils above and the twisted shafts at the angles. The
whole finishes with a pyramidal spire, imitating the Venetian campanile.
The gable above the portico has an enormous wheel-window of sixteen
divisions, which had a door beneath it.

The nave is 19 ft. 6 in. broad. Its piers vary in width, and the
round-arched arcade is irregular in its spacing. The north aisle is
broader than the south. The piers and arches are unmoulded; the arches
have two orders, carved imposts, and a very small base. The main arches
of the vault have mouldings at each side of a fiat surface, and are
pointed; the lesser ribs are twisted. The central bay only has a rib
running east and west at the summit of the arch. The aisles are v