ind that inebriety was not at all
inconsistent with good morals and high standing. Moreover, no matter
how often the Tarahumares indulge in such saturnalia, as soon as they
recover their senses they are as decorous and solemn as ever. Their
native stimulant does not seem to affect either their physical or
their mental faculties, and, all scientific theories to the contrary,
their children are strong, healthy, and bright.
Aside from social and religious considerations, the drinking of tesvino
is a vital factor in the national life of the tribe. Incredible as
it may sound, yet, after prolonged and careful research into this
interesting psychological problem, I do not hesitate to state that
in the ordinary course of his existence the uncivilised Tarahumare
is too bashful and modest to enforce his matrimonial rights and
privileges; and that by means of tesvino chiefly the race is kept
alive and increasing. It is especially at the feasts connected with
the agricultural work that sexual promiscuity takes place.
A large gathering is not necessary in order to pray to the gods by
dancing. Sometimes the family dances alone, the father teaching the
boys. While doing agricultural work, the Indians often depute one
man to dance yumari near the house, while the others attend to the
work in the fields. It is a curious sight to see a lone man taking his
devotional exercise to the tune of his rattle in front of an apparently
deserted dwelling. The lonely worshipper is doing his share of the
general work by bringing down the fructifying rain and by warding off
disaster, while the rest of the family and their friends plant, hoe,
weed, or harvest. In the evening, when they return from the field, they
may join him for a little while; but often he goes on alone, dancing
all night, and singing himself hoarse, and the Indians told me that
this is the very hardest kind of work, and exhausting even to them.
Solitary worship is also observed by men who go out hunting deer or
squirrels for a communal feast. Every one of them dances yumari alone
in front of his house for two hours to insure success on the hunt;
and when putting corn to sprout for the making of tesvino the owner
of the house dances for a while, that the corn may sprout well.
In certain parts of the country, near Aboreachic, for instance,
a dance called valixiwami is in vogue. Here the line of the women
faces that of the men, and the two rows dance backward and forward,
follo
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