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ind that inebriety was not at all inconsistent with good morals and high standing. Moreover, no matter how often the Tarahumares indulge in such saturnalia, as soon as they recover their senses they are as decorous and solemn as ever. Their native stimulant does not seem to affect either their physical or their mental faculties, and, all scientific theories to the contrary, their children are strong, healthy, and bright. Aside from social and religious considerations, the drinking of tesvino is a vital factor in the national life of the tribe. Incredible as it may sound, yet, after prolonged and careful research into this interesting psychological problem, I do not hesitate to state that in the ordinary course of his existence the uncivilised Tarahumare is too bashful and modest to enforce his matrimonial rights and privileges; and that by means of tesvino chiefly the race is kept alive and increasing. It is especially at the feasts connected with the agricultural work that sexual promiscuity takes place. A large gathering is not necessary in order to pray to the gods by dancing. Sometimes the family dances alone, the father teaching the boys. While doing agricultural work, the Indians often depute one man to dance yumari near the house, while the others attend to the work in the fields. It is a curious sight to see a lone man taking his devotional exercise to the tune of his rattle in front of an apparently deserted dwelling. The lonely worshipper is doing his share of the general work by bringing down the fructifying rain and by warding off disaster, while the rest of the family and their friends plant, hoe, weed, or harvest. In the evening, when they return from the field, they may join him for a little while; but often he goes on alone, dancing all night, and singing himself hoarse, and the Indians told me that this is the very hardest kind of work, and exhausting even to them. Solitary worship is also observed by men who go out hunting deer or squirrels for a communal feast. Every one of them dances yumari alone in front of his house for two hours to insure success on the hunt; and when putting corn to sprout for the making of tesvino the owner of the house dances for a while, that the corn may sprout well. In certain parts of the country, near Aboreachic, for instance, a dance called valixiwami is in vogue. Here the line of the women faces that of the men, and the two rows dance backward and forward, follo
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