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ation on your story that may have come in from other sources. Before you write or telephone your story, make sure that you have all your facts marshaled in your own mind. A good reporter usually plans his story, lead and details in his head on his way to the office. NEVER GUESS. KNOW WHAT YOU ARE WRITING ABOUT. When you turn in a story KNOW that everything in that story is true--and if you feel there is a statement you can not prove, call your city editor's attention to it. To color or fake a story is not newspaper work--it is prostitution of the profession of journalism. Be sure of your sources of information. Never take anything for granted--find out for yourself. You will discover that many persons talk convincingly about things although they have no actual knowledge of the subject under discussion. Remember always that a newspaper has to prove what it says--and any decent newspaper is eager to. If you don't know, tell the city editor you don't know. To guess is criminal because nobody can guess with any consistent degree of accuracy. And accuracy should be your guide. Reporters should study their stories after they are printed, with the realization that any changes made in them were made to better them. Ask why your stories have been changed so your next story will be better through avoidance of the same mistake. Never be afraid to ask anybody anything. The mainspring of a good newspaper man is a wholesome curiosity. The essentials of newspaper writing are accuracy and simplicity. The newspaper is no place for fine writing. Simplicity means directness and conciseness in telling the story as well as an avoidance of hifalutin phrases, obsolete words and involved sentences. Walt Whitman wrote: "The art of arts, the glory of expression, and the sunshine of the light of letters, is simplicity. Nothing is better than simplicity--nothing can make up for excess or the lack of definiteness." Every worker on a newspaper knows the value of accuracy. Accuracy is the god before whom all newspaper men bow. If one could analyze the effort put forth in one day in this office, one might discover that perhaps a third of that effort was in an attempt to obtain accuracy. The city directory is the newspaper man's Bible because accuracy is his deity. The hardest lesson the journalist must learn is the development of the impersonal viewpoint. He must learn to write what he sees and hears, clearly and accu
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