umed office, and divided the preaching between them.
The arrangement, allowing two men to act simultaneously but quite
independently of each other, remained in force till our own times,
though its disadvantages soon began to appear. The Chaplains, though
committed by their appointment to the general doctrines of the
Reformation, were by no means bound to agree on the many debatable
questions to which the Reformation had given rise, and did not always
convey the same doctrines to their people, or work harmoniously
together. It was not, however, till the year 1868 that this
inconsistency was corrected by merging the two offices into one; and
in 1883 the measure was supplemented by an Act which abolished the
office of Chaplain altogether, and made him who then held it the first
Rector.
It may here be added that the parishioners had acquired the right of
appointment to the pastorate by their purchase of the church in 1614;
but the scandals attending the public election at every vacancy led to
its abolition in 1885, when the right was transferred to the Bishop of
the diocese by Act of Parliament.[8]
In 1618 Dr. Lancelot Andrewes was appointed Bishop of Winchester,
where he died in 1626. During his episcopate he often visited St.
Saviour's, as the most important church in his diocese, next to his
own cathedral. His pronounced churchmanship occasionally brought him
into strong contrast with the Chaplains, who usually went much further
in the Puritan direction than their Bishop, while they were themselves
apt to be pushed forward or restrained by the parishioners. The
latter, as holding the appointment in their hands, had established a
sort of censorship over their pastors, which they were not slow to
exercise against any tendency to "unsound" teaching. The records of
the parish show that the Chaplains had to ask leave of absence when
they wanted a holiday, and were otherwise kept in excellent order by
their lay superiors.
About this time considerable alterations were made in the interior of
the church to bring it into line with the current spiritual
discipline. In or about 1615 galleries were set up for the first time
across the north and south transepts, and in 1618 a screen and gallery
in place of the old rood loft between the nave and choir, were
"worthily contrived and erected." Somewhere between this date and 1624
an inner porch, of semi-classical design, was inserted at the west
end.
That closed and rented pe
|