ook of intense agony, which frivolous people are wont to
attribute to the panacea. Higher up on the same wall there is a
Hatchment, with the armorial bearings of the person to whom it refers,
and the motto _Resurgam_. The conspicuous place and large characters
look as if specially chosen with reference to the fabric, to which the
word may well be applied.

On the east wall hangs an escutcheon of the arms of Queen Anne, with
the motto _Semper eadem_. The arms seem to have been painted over some
previous heraldic achievement, which includes the figures of "Justice"
and "Mercy," or two similar characters, standing on a platform in the
middle of a Rotunda. There is a peculiarity also in the omission of
the year, which is usually given with the Royal Arms hung up in
churches. The escutcheon is said to have been brought from the
neighbouring Sessions Court, and set up in the first instance in the
choir, to commemorate the visit of Queen Anne, when she came to hear
Dr. Sacheverell. Appearances seem to show that it was repainted, and
the Queen's initials inserted, to suit the occasion.

The =South Transept=.--The solid panels, noticed outside as
diminishing the effect of the great south window, are accounted for in
the interior, where the mouldings of two lofty arches occupy the wall,
their apices reaching to the window sill. These the restorer has
wisely left intact, and the window, seen from within, appears in
admirable proportion, and well suited to its place. It is of five
lights, and occupies the entire breadth of the transept. The style is
described by the architect, Sir Arthur Blomfield, as "Transitional
between Flowing Decorated and Perpendicular." Presented by Sir
Frederick Wigan, Bart., in memory of his daughter, the glazing of this
fine window was entrusted to Mr. C.E. Kempe. He has taken as his
subject the "Tree of Jesse," as a connecting link between the
scripture subjects represented elsewhere, and the modern historical
windows, whether commemorating distinguished clergy or laity of the
Catholic Church.

There was formerly a doorway cut through one of the arches beneath
this window. The space is now filled up, restoring the arcading to its
original state, and the entrance transferred to the eastern wall,
where the inner porch occupies the space beneath the organ front.
There are three windows above, of three lights each, corresponding
with those on the opposite side, except in the tracery. The window
over the