up towards the sun
shining in his glory, with a label upon the lower rays of it,
'Sol Justitiae,' _i.e._, the Sun of Righteousness. On the
right and left sides of this monument are instruments of
husbandry hanging by a riband out of a death's head, as
ploughs, whips, yokes, rakes, spades, flails, harrows,
shepherds' crooks, scythes, etc., over which is writ, 'Vos
estis Dei Agricultura,' _i.e._, ye are God's husbandry. On the
outside of these, on the right and left, are two harvest men
with wings, the one with a fork, the other with a rake behind
him. They are in light garments, sitting, and leaning their
heads upon their hands, their elbows resting upon their knees,
as weary and tired, and resting after their harvest work; and
having straw hats on, very comely; underneath them these
words, 'Messores congregabunt,' _i.e._, the reapers shall
gather. Under all this is a winnowing fan, within which is the
representation of a sheet of parchment, as it were, stretched
upon it; on which is writ the inscription."

The inscription (Latin) agrees in its figurative language with the
character of the monument. It practically states that William Austin
had the tomb constructed, while he was yet alive, as a burial-place
for his wife, his mother (Lady Clarke), and himself, and that the
three were laid there in succession in 1623, 1626, and 1633. William
Austin was a barrister, who wrote a number of devotional pieces in
verse and prose. He died on 16th January, 1633, and his second wife
published them in 1635, "as a surviving monument of some part of the
great worth of her ever-honoured husband." The son William, like his
father a poet and a lawyer, was also buried at St. Saviour's.

Another noteworthy monument is that on the north wall to =Lionel
Lockyer=, inventor and patentee of the miraculous pills, "Radiis Solis
Extractae," to be taken early in the morning against fogs, contagious
airs, and all diseases known and unknown, to improve personal beauty,
and make old age delightful. The glowing epitaph of twelve lines is at
once a eulogy on the man, and a bold advertisement of the medicine.
Lockyer died on 26th April, 1672. An air of sanctimonious benevolence
will be noticed on the face of the recumbent doctor--probably a
faithful portrait--not unlike the expression given to the quack doctor
in one of Hogarth's famous pictures. The face of the cherub above
wears a l