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l, in 1735, when the peal was brought up to its present number. More recently the two largest of the treble bells (D# and C#) were slightly reduced in weight. [18] The builders of 1839 fortunately contented themselves with building round the bases of the piers, which they left on the old foundation. [19] _E.g._, in the will of Joan de Cobham, dated 1369, the testatrix expresses her wish to be buried before the door of St. Mary Overie, "where the image of the Blessed Virgin sitteth on high." It will be noticed that this is the principal feature in the Priory seal. [20] Drawings of the Perpendicular doorway are given by Moss and Nightingale (1817-1818), and by F.T. Dollman (1881). The ruins of the old nave, including this fine doorway, were finally removed towards the end of 1838, to make way for the _pure Gothic_ structure (as it was called in the newspaper descriptions of the day), which was commenced in the following year. [21] Mr. Dollman holds that the cinquefoil tracery occurred in both divisions, but has omitted it from the upper lights in his drawing of the west elevation, as it appeared before it was finally destroyed. [Illustration: _Photo._ _G.P. Heisch._ THE NORTH CHOIR AISLE.] CHAPTER III THE INTERIOR The =Nave= was entirely rebuilt by Sir Arthur Blomfield in 1890-1897. Not the least difficult part of the architect's work was the removal of the unsatisfactory structure, of 1839-1840, without destroying the few Norman and Early English features imbedded in the plaster and brickwork, which it was desired to recover as far as possible, and preserve intact and _in situ_. This has to a great extent been done, thanks to the care with which the debased nave was taken to pieces, every stone that was worth preserving being carefully released from its accretions, measured, and reinstated in its proper place in the new work. Fortunately the earlier nineteenth century builders had not disturbed the bases of the old piers, but had contented themselves with building round them, and when their superstructure was cleared off, enough of the old work remained to show the position of every pier, as well as the lines of the original ground plan. In nearly every part also the old foundations were found satisfactory, though, of course, they were thoroughly tested, and renovation generally applied. The old lines have been adhered to throughout the restoration, and the new nave is a practical rep
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