l, in 1735, when the peal was brought up to its present number.
More recently the two largest of the treble bells (D# and C#) were
slightly reduced in weight.
[18] The builders of 1839 fortunately contented themselves with
building round the bases of the piers, which they left on the old
foundation.
[19] _E.g._, in the will of Joan de Cobham, dated 1369, the testatrix
expresses her wish to be buried before the door of St. Mary Overie,
"where the image of the Blessed Virgin sitteth on high." It will be
noticed that this is the principal feature in the Priory seal.
[20] Drawings of the Perpendicular doorway are given by Moss and
Nightingale (1817-1818), and by F.T. Dollman (1881). The ruins of the
old nave, including this fine doorway, were finally removed towards the
end of 1838, to make way for the _pure Gothic_ structure (as it was
called in the newspaper descriptions of the day), which was commenced
in the following year.
[21] Mr. Dollman holds that the cinquefoil tracery occurred in both
divisions, but has omitted it from the upper lights in his drawing of
the west elevation, as it appeared before it was finally destroyed.
[Illustration: _Photo._ _G.P. Heisch._
THE NORTH CHOIR AISLE.]
CHAPTER III
THE INTERIOR
The =Nave= was entirely rebuilt by Sir Arthur Blomfield in 1890-1897.
Not the least difficult part of the architect's work was the removal
of the unsatisfactory structure, of 1839-1840, without destroying the
few Norman and Early English features imbedded in the plaster and
brickwork, which it was desired to recover as far as possible, and
preserve intact and _in situ_. This has to a great extent been done,
thanks to the care with which the debased nave was taken to pieces,
every stone that was worth preserving being carefully released from
its accretions, measured, and reinstated in its proper place in the
new work. Fortunately the earlier nineteenth century builders had not
disturbed the bases of the old piers, but had contented themselves
with building round them, and when their superstructure was cleared
off, enough of the old work remained to show the position of every
pier, as well as the lines of the original ground plan. In nearly
every part also the old foundations were found satisfactory, though,
of course, they were thoroughly tested, and renovation generally
applied. The old lines have been adhered to throughout the
restoration, and the new nave is a practical rep
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