t may also be noticed that while the windows in
the choir clerestory are all plain lancets, like those in the restored
nave, there is a considerable difference in the glazing. In the choir
we have an ornamental pattern of Mr. Gwilt's invention. In the nave
Sir Arthur Blomfield has preferred small square panes of glass, as
more in character with the lancet type of window, and the other Early
English work, which he has so well reproduced.

[Illustration: THE TRANSEPTS FROM THE NORTH END.
_Reproduced from a drawing by Permission of "Church Bells."_]

FOOTNOTES:

[13] There is a further disadvantage, of a more material kind, in the
encroachments. The smoke and soot from passing trains on one side, and
the dust from a coffee-roasting establishment on the other, are having
a sufficiently obvious effect on the fabric, as well as on the
surrounding grass-plats. The latter require frequent renewal in
consequence.

[14] Perhaps the deflection is more frequently towards the north.

[15] A converse instance of mistaken nomenclature occurs at Westminster
Abbey, where the Lady Chapel is commonly called after Henry VII, who
began its erection, in place of the earlier chapel, and is buried in
it.

In an inventory of 1538 the "Bishop's Chapel" at St. Saviour's is
styled "the little Chapel of our Lady," which perhaps indicates that
there was an altar to the Virgin in the retro-choir. Two Lady Chapels
in one church are not unknown, as, _e.g._, at Canterbury Cathedral,
where there was one in the north-west transept, now called "the Dean's
Chapel," and another in the crypt under the high altar.

A case more directly to the point may be quoted from Barnwell Priory,
where the Lady Chapel is known to have occupied a similar position to
the retro-choir at Southwark, with a "little Lady Chapel" appended to
it. (_Vide_ "The Observances in use at the Augustinian Priory of
Barnwell," by J. Willis Clark, and the accompanying plans.)

[16] The pinnacle at the south end was removed a few years ago to
prevent its falling.

[17] The original number of bells, in 1424, was seven, and their names
were Nicholas, Vincent, St. Lawrence, Anna Maria, Stephen, Maria,
Augustine. In the same year the bells were increased in weight and one
more added to the number. The names were then changed, and became
Christ, St. John-the-Evangelist, All Saints', Gabriel, St. Lawrence,
Augustine, Mary, St. Trinity. They were recast, with 64 cwt. of fresh
meta