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iance between the Guidi and the Ubaldini on 8th June 1302, "Actum in choro Sancti Gaudentii de pede Alpium." Nothing remains of the place as it was in those days, I suppose, save the church, and that has been for the most part rebuilt; but the choir stands, so that we may say here, on 8th June 1302, Dante took quill and signed and spoke with his fellow-exiles. Thence I followed the way to Dicomano by Sieve, at the foot of the Consuma, and then up stream to Borgo S. Lorenzo, the capital of the Mugello, and so by the winding road above the valley under the hills to Fiesole, to Florence, wrapped in rain, through which an evening sun was breaking. FOOTNOTES: [132] Now in S. Trinita in Firenze. [133] Mr. Montgomery Carmichael (_On the Old Road_, etc., p. 293), quoting from Don Diego de' Franchi (_Historia del Patriarcha S. Giovangualberto_, p. 77: Firenze, 1640), says that S. Romuald and S. Giovanni Gualberto vowed eternal friendship between their Orders, "and for a long time, if a Camaldolese was visiting Vallombrosa, he would take off his own and put on a Vallombrosan habit as a symbol that the monks of the two Orders were brothers." [134] _Guida Illustrata del Casentino da C. Beni_: Firenze, 1889. This perhaps the best guide-book in the Tuscan language, is certainly the best for the Casentino. Those who cannot read it must fall back on the charming and delightful book by Miss Noyes, _The Casentino and its Story_: Dent, 1905. It is too good a book to be left useless in its heavy bulky form. Perhaps Miss Noyes will give us a pocket edition. XXVII. PRATO Prato is like a flower that has fallen by the wayside that has faded in the dust of the way. She is a little rosy city, scarcely more than a castello, full of ruined churches; and in the churches are ruined frescoes, ruined statues, broken pillars, spoiled altars. You pass from one church to another--from S. Francesco, with its facade of green and white, its pleasant cloister and old frescoes, to La Madonna delle Carceri, to S. Niccolo da Tolentino, to S. Domenico--and you ask yourself, as you pass from one to another, what you have come to see: only this flower fallen by the wayside. But in truth Prato is the child of Florence, a rosy child among the flowers--in the country, too, as children should be. Her churches are small. What could be more like a child's dream of a church than La Madonna delle Carceri? And the Palazzo Pretorio--it is a toy
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