t be
languid, however, for nobody has taken the trouble to remind its author
that Brockden Brown--who is cited as a typical American writer, true to
local character, scenery, and color--put no more flavor of American life
and soil in his books than is to be found in "Frankenstein."
It does not, I should suppose, lie in the way of The Century, whose
general audience on both sides of the Atlantic takes only an amused
interest in this singular revival of a traditional literary animosity--an
anachronism in these tolerant days when the reading world cares less and
less about the origin of literature that pleases it--it does not lie in
the way of The Century to do more than report this phenomenal literary
effervescence. And yet it cannot escape a certain responsibility as an
immediate though innocent occasion of this exhibition of international
courtesy, because its last November number contained some papers that
seem to have been irritating. In one of them Mr. Howells let fall some
chance remarks on the tendency of modern fiction, without adequately
developing his theory, which were largely dissented from in this country,
and were like the uncorking of six vials in England. The other was an
essay on England, dictated by admiration for the achievements of the
foremost nation of our time, which, from the awkwardness of the eulogist,
was unfortunately the uncorking of the seventh vial--an uncorking which,
as we happen to know, so prostrated the writer that he resolved never to
attempt to praise England again. His panic was somewhat allayed by the
soothing remark in a kindly paper in Blackwood's Magazine for January,
that the writer had discussed his theme "by no means unfairly or
disrespectfully." But with a shudder he recognized what a peril he had
escaped. Great Scott!--the reference is to a local American deity who is
invoked in war, and not to the Biblical commentator--what would have
happened to him if he had spoken of England "disrespectfully"!
We gratefully acknowledge also the remark of the Blackwood writer in
regard-to the claims of America in literature. "These claims," he says,
"we have hitherto been very charitable to." How our life depends upon a
continual exhibition by the critics of this divine attribute of charity
it would perhaps be unwise in us to confess. We can at least take
courage that it exists--who does not need it in this world of
misunderstandings?--since we know that charity is not puffed up, vaunte
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