to read all the colored
incidents, personal gossip, accidents, and crimes repeated daily, with
sameness of effect, in the newspapers, some of the most widely circulated
of which are a composite of the police gazette and the comic almanac. A
great deal of the reading done is mere contagion, one form or another of
communicated grippe, and it is consoling and even surprising to know that
if you escape the run of it for a season, you have lost nothing
appreciable. Some people, it has been often said, make it a rule never to
read a book until it is from one to five years old, By this simple device
they escape the necessity of reading most of them, but this is only a
part of their gain. Considering the fact that the world is full of books
of the highest value for cultivation, entertainment, and information,
which the utmost leisure we can spare from other pressing avocations does
not suffice to give us knowledge of, it does seem to be little less than
a moral and intellectual sin to flounder about blindly in the flood of
new publications. I am speaking, of course, of the general mass of
readers, and not of the specialists who must follow their subjects with
ceaseless inquisition. But for most of us who belong to the still
comparatively few who, really read books, the main object of life is not
to keep up with the printing-press, any more than it is the main object
of sensible people to follow all the extremes and whims of fashion in
dress. When a fashion in literature has passed, we are surprised that it
should ever have seemed worth the trouble of studying or imitating. When
the special craze has passed, we notice another thing, and that is that
the author, not being of the first rank or of the second, has generally
contributed to the world all that he has to give in one book, and our
time has been wasted on his other books; and also that in a special kind
of writing in a given period--let us say, for example, the
historico-romantic--we perceive that it all has a common character, is
constructed on the same lines of adventure and with a prevailing type of
hero and heroine, according to the pattern set by the first one or two
stories of the sort which became popular, and we see its more or less
mechanical construction, and how easily it degenerates into commercial
book-making. Now while some of this writing has an individual flavor that
makes it entertaining and profitable in this way, we may be excused from
attempting to follo