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r helplessness and sometimes for despair. With even more doubt as to the exact "classification," I proceed to speak here and now of L. P. Jacks's book, _The Legends of Smokeover_. Mr. Jacks is well known as the editor of the Hibbert Journal and a writer of distinction upon philosophical subjects. I should say his specialty is an ability to relate philosophical abstractions to practical, everyday existence. Those familiar with his essays in the Atlantic Monthly will know what I mean. And is the Smokeover of his new book, then, a place to go? It is, if you wish to see our modern age and industrial civilisation expressed in such terms--almost in the terms of fiction--as make its appraisal relatively easy. I suppose this book might make Mr. Jacks memorable as a satirist. It brings philosophy down from the air, like a peaceful thunderbolt, to shatter the vain illusions we entertain of our material success and our civilised strides forward. The fact that when you have begun to read the book you may experience some difficulty in knowing how to take it is in the book's favour. And why should you complain so long as from the outset you are continuously entertained and amused? You can scarcely complain ... even though at the end, you find you have been instructed. In a world thickly spotted with Smokeovers, Mr. Jacks's book is a book worth having, worth reading, worth reading again. CHAPTER XIII ALIAS RICHARD DEHAN =i= At that, I think I am wrong. I think the title of this chapter ought to be "Alias Clotilde Graves." The problems of literary personality are strange. Some time after the Boer War a woman who had been in newspaper work in London and who had even, at one time, been on the stage under the necessity of earning her living, wrote a novel. The novel happened to be an intensive study of the Boer War, made possible by the fact that the writer was the daughter of a soldier and had spent her early years in barracks. England at that time was interested by the subject of this novel. It sold largely and its author was established by the book. She was forty-six years old in the year when the book was published. But this was not the striking thing. William De Morgan produced the first of his impressive novels at a much more advanced age. The significant thing was that in publishing her novel, _The Dop Doctor_ (American title: _One_ _Braver Thing_), Clotilde Graves chose the pen name of Richard Dehan, alth
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