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unison as Katharine went forward to a lofty doorway, framing brightness, where waited to receive her the master of the hive.... "The light beings behind him may have exaggerated his proportions, but he seemed to Trixie the biggest man she had ever seen, and nearly the ugliest. Close-curling coarse black hair capped his high-domed skull, and his stern, powerful, swarthy face, big-nosed and long-chinned, with a humorous quirk at the corners of the heavy-lipped mouth, that redeemed its sensuousness, was lighted by eyes of the intensest black, burning under heavy beetle-brows. His khaki uniform, though of fine material and admirable cut, was that of a common ranker, and a narrow strip of colours over the heart, and the fact of his left arm being bandaged and slung, intimated to Lady Wastwood that Katharine's Jewish friend had already served with some degree of distinction, and had been wounded in the War. And drawing back with her characteristic inconquerable shyness, as he advanced to Miss Forbis, plainly unconscious of any presence save hers, Trixie's observant green eyes saw him bend his towering head, and sweep his right arm out and down with slow Oriental stateliness, bringing back the supple hand to touch breast, lips and brow. Whether or not he had raised the hem of Katharine's skirt to his lips and kissed it, Lady Wastwood could not definitely determine. She was left with the impression that he had done this thing." =iv= I should have liked to have given, rather than purely descriptive passages, a slice of the complicated and tense action with which the story brims over, but there is the difficulty that such a scene might not be intelligible to one not having read the story from the beginning. I must resist the tendency to quote any more, having indulged it already to excess, and I am ready to propound my theory of the existence of Richard Dehan. If you receive a letter from The Towers, Beeding, it will bear a double signature, like this: RICHARD DEHAN CLOTILDE GRAVES Clotilde Graves has become a secondary personality. There was once a time when there was no Richard Dehan. There now are times when there is no Clotilde Graves. To a woman in middle age an opportunity presented itself. It was the chance to write a novel around the subject which, as a girl, she had come to know a great deal about--the subject of war. To write about it and gain at
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