r dramas have been translated at various times since
the first publication of the original works; and in several instances
these versions have been incorporated into this collection. Schiller
was not less efficiently qualified by nature for an historian than for
a dramatist. He was formed to excel in all departments of literature,
and the admirable lucidity of style and soundness and impartiality of
judgment displayed in his historical writings will not easily be
surpassed, and will always recommend them as popular expositions of the
periods of which they treat.

Since the publication of the first English edition many corrections and
improvements have been made, with a view to rendering it as acceptable
as possible to English readers; and, notwithstanding the disadvantages
of a translation, the publishers feel sure that Schiller will be
heartily acceptable to English readers, and that the influence of his
writings will continue to increase.

THE HISTORY OF THE REVOLT OF THE NETHERLANDS was translated by Lieut.
E. B. Eastwick, and originally published abroad for students' use. But
this translation was too strictly literal for general readers. It has
been carefully revised, and some portions have been entirely rewritten
by the Rev. A. J. W. Morrison, who also has so ably translated the
HISTORY OF THE THIRTY YEARS WAR.

THE CAMP OF WALLENSTEIN was translated by Mr. James Churchill, and first
appeared in "Frazer's Magazine." It is an exceedingly happy version of
what has always been deemed the most untranslatable of Schiller's works.

THE PICCOLOMINI and DEATH OF WALLENSTEIN are the admirable version of
S. T. Coleridge, completed by the addition of all those passages which
he has omitted, and by a restoration of Schiller's own arrangement of
the acts and scenes. It is said, in defence of the variations which
exist between the German original and the version given by Coleridge,
that he translated from a prompter's copy in manuscript, before the
drama had been printed, and that Schiller himself subsequently altered
it, by omitting some passages, adding others, and even engrafting
several of Coleridge's adaptations.

WILHELM TELL is translated by Theodore Martin, Esq., whose well-known
position as a writer, and whose special acquaintance with German
literature make any recommendation superfluous.

DON CARLOS is translated by R. D. Boylan, Esq., and, in the opinion of
competent judges, the version is eminently successful.