tures that have never been surpassed in
their graphic portraiture. Other celebrated descriptive poems are
Goldsmith's "Traveller" and "Deserted Village," Thomson's "Seasons,"
Bryant's "Forest Hymn," Whittier's "Snow-Bound." But in poems of every
class there are descriptions of nature, though occupying an incidental
and secondary position.
In these nature poems there should be truthfulness of description. They
should be genuine; not coldly conventional, as Pope's "Windsor Forest,"
but real or idealized pictures from nature. The descriptions should be
specific rather than general; and if, in addition to faithful
portraiture, we have the warmth and elevation that come from human
emotion or from the recognition of an all-pervading Presence, the result
is the highest type of descriptive poetry. These finer descriptions of
nature are found in all the great poets since the days of Wordsworth.
(3) _Pastoral poetry_ is a species of descriptive poetry. It is devoted
to a portrayal of country life and manners, and generally embodies a
slight degree of dramatic action. "A pastoral," says Alexander Pope, "is
an imitation of the action of a shepherd, or one considered under that
character. The form of this imitation is dramatic or narrative, or mixed
of both; the fable simple, the manners not too polite nor too rustic;
the thoughts are plain, yet admit a little quickness and passion, but
that short and flowing; the expression humble, yet as pure as the
language will afford; neat but not florid; easy and yet lively."
English literature is not rich in pastoral poetry. What we have is
generally an imitation or translation of classical models. One of the
best known English pastorals is Spenser's "Shepherd's Calendar," which
contains imitations of Theocritus and Marot. Milton's "Comus" is a kind
of pastoral. The purest examples of pastoral poetry are found in Pope,
who has a series which he calls "Pastorals." Keats's "Endymion" has
been classed with pastoral poetry, but it is not a pure example of the
type.
+57. Lyric Poetry.+ Lyric poetry gives intense expression to thought and
emotion. As the name indicates, it was originally accompanied by music.
Though lyric poems are short, they constitute, in the aggregate, a large
part of English poetry. At the present day didactic and epic poetry is
rarely written; but lyric poetry continues to flourish. Its range of
theme is practically without limits.
There are numerous kinds or classe
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