dwell on insignificant details, lack
largeness of movement, and, instead of sweeping forward like a river,
spread out aimlessly like a dreary marsh. He should have the breadth of
culture that will enable him to weigh the facts he uses. This requires
familiarity with various systems of belief. Whether a theologian or a
scientist, a Protestant or a Romanist, he should be able to do justice
to the facts and motives of the opposite party. His love of truth should
be supreme. He should have soundness of judgment in connection with a
clear logical sense. He must not jump at conclusions, but base them on
sufficient evidence. And then the mood, attitude, and prejudices should
be ascertained. This constitutes his standpoint. Most writers have
convictions or belong to schools of belief that consciously or
unconsciously influence their work. A skeptic like Gibbon could hardly
do justice to the rise and progress of Christianity.
REVIEW QUESTIONS
1. What is prose? How is it distinguished from poetry? What is said of
prose in this age? Name the principal forms of prose. Which do not come
within the scope of this book?
2. What is history? On what does it rest? How is it different from
mythology? from fiction? What is the relation of history to change? What
is said of history in English literature? What threefold division of
history is there in regard to time? Name the limits of each. As to
subject-matter, how is history divided? What division is based on the
sources of information? Define a chronicle; annals. As to method, what
threefold division of history is there? Define narrative, descriptive,
and philosophic history. What method does the best history follow? What
difference is there between ancient and modern methods in history? What
is the first requisite of historic writing to-day?
3. What is biography? Why is it interesting? What was Carlyle's idea?
What three different types exist? What is the chief requisite? What are
the two principal sources of error? What is autobiography? What
advantage has autobiography? what source of error? What is a diary? Of
what use is a diary?
4. In judging a history, what is the first point to be considered? What
is required by the laws of art? What is said of style? What is meant by
symmetry? What is the second point to be considered? What two inquiries
should be made? On what are the greatest historical works based? What is
the third point to be considered? What should be the histor
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