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dwell on insignificant details, lack largeness of movement, and, instead of sweeping forward like a river, spread out aimlessly like a dreary marsh. He should have the breadth of culture that will enable him to weigh the facts he uses. This requires familiarity with various systems of belief. Whether a theologian or a scientist, a Protestant or a Romanist, he should be able to do justice to the facts and motives of the opposite party. His love of truth should be supreme. He should have soundness of judgment in connection with a clear logical sense. He must not jump at conclusions, but base them on sufficient evidence. And then the mood, attitude, and prejudices should be ascertained. This constitutes his standpoint. Most writers have convictions or belong to schools of belief that consciously or unconsciously influence their work. A skeptic like Gibbon could hardly do justice to the rise and progress of Christianity. REVIEW QUESTIONS 1. What is prose? How is it distinguished from poetry? What is said of prose in this age? Name the principal forms of prose. Which do not come within the scope of this book? 2. What is history? On what does it rest? How is it different from mythology? from fiction? What is the relation of history to change? What is said of history in English literature? What threefold division of history is there in regard to time? Name the limits of each. As to subject-matter, how is history divided? What division is based on the sources of information? Define a chronicle; annals. As to method, what threefold division of history is there? Define narrative, descriptive, and philosophic history. What method does the best history follow? What difference is there between ancient and modern methods in history? What is the first requisite of historic writing to-day? 3. What is biography? Why is it interesting? What was Carlyle's idea? What three different types exist? What is the chief requisite? What are the two principal sources of error? What is autobiography? What advantage has autobiography? what source of error? What is a diary? Of what use is a diary? 4. In judging a history, what is the first point to be considered? What is required by the laws of art? What is said of style? What is meant by symmetry? What is the second point to be considered? What two inquiries should be made? On what are the greatest historical works based? What is the third point to be considered? What should be the histor
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