or whether he plunges into
the midst of his theme, he should observe method and symmetry of
structure; and in spite of the liveliest play of the imagination and
sensibilities, he should impose a severe restraint upon himself. He
should leave something to the imagination of the reader.
REVIEW QUESTIONS
55. Into how many classes is poetry divided? Name them, giving the
general character of each class. 56. What contradiction is there in the
term _didactic poetry_? How is it saved from this contradiction?
Illustrate. What points are to be considered in estimating didactic
poetry? Mention some principal didactic poems.
What is poetic _satire_? What three species are mentioned? What is said
of the mood of satire? Mention some well-known satires. What is meant by
_descriptive_ poetry? What is said of nature in poetry? Mention some
descriptive pieces, or nature epics. What are their criteria? What is
_pastoral_ poetry? What was Pope's conception of it? What is its place
in English literature? Mention our principal pastorals.
57. What is _lyric_ poetry? Mention the principal kinds. What is a
_ballad_? What is said of old English ballads? Mention some recent
ballads. What is a _song_? Name the different kinds. Who are mentioned
as song writers? What is said of hymns? Why are they not better? Name
some prominent hymn writers? What is an _ode_? What place does it hold
in our literature? Name a few famous odes. What is an _elegy_? Mention
some famous elegies. What is a _sonnet_? How is it divided? What is the
rhyme scheme of the sonnet? Name some of our great sonneteers. 58. What
are some of the criteria for judging lyric poetry? What was one of
Browning's faults?
ILLUSTRATIVE AND PRACTICAL EXERCISES
The following selections should be studied in the light of such
questions as these:
To what division of poetry does it belong? Is it
didactic, descriptive, pastoral, satirical? What is
the spirit of the piece? Is it a ballad, song, hymn,
ode, elegy, sonnet? Is it elevated and intense? Is it
true in sentiment and thought? Is it well constructed
and harmonious? Is it clear or hazy? Is it natural or
affected? What is its meter?
Of all the causes which conspire to blind
Man's erring judgment, and misguide the mind,
What the weak head with strongest bias rules,
Is pride, the never-failing vice of fools.
Whatever nature has in wo
|