ion, thus: Teacher says,
"Key of B[flat], three-quarter measure: First measure, DO a
quarter note, RE a quarter, and MI a quarter. Second measure,
SOL a quarter, LA a quarter, and SOL a quarter. Third measure,
LA, TI, DO, RE, MI, eighths, stroked in pairs. Fourth measure,
high DO a dotted half." Pupils respond by writing the exercise
dictated, after which mistakes in the turning of stems, etc.,
are corrected. The _pitch names_ may be dictated instead of
the syllables if desired, and still further practice may be
provided by asking that the exercise be transposed to other
keys.
CHAPTER II
SYMBOLS OF MUSIC DEFINED
12. A _staff_ is a collection of parallel lines, together with the
spaces belonging to them. The modern staff has five lines and six
spaces, these being ordinarily referred to as first line, second line,
third line, fourth line, and fifth line (beginning with the lowest); and
space below (_i.e._, space below the first line), first space, second
space, third space, fourth space, and space above.
The definition and discussion above refer more specifically to one of
the portions of the "great staff," the latter term being often applied
to the combination of treble and bass staffs (with one leger line
between) so commonly used in piano music, etc.
13. The _extent of the staff_ may be increased either above or below by
the addition of short lines called _leger lines_,[4] and notes may be
written on either these lines or on the spaces above and below them.
[Footnote 4: The word _leger_ is derived from the French word _LEGER_,
meaning light, and this use of the word refers to the fact that the
leger lines, being added by hand, are lighter--_i.e._, less solid in
color--than the printed lines of the staff itself.]
14. The lines and spaces constituting the staff (including leger lines
if any) are often referred to as _staff degrees_, _i.e._, each separate
line and space is considered to be "a degree of the staff." The tones of
a scale are also sometimes referred to as "degrees of the scale."
15. A _clef_[5] is a sign placed on the staff to designate what pitches
are to be represented by its lines and spaces. Thus, _e.g._, the G clef
shows us not only that the second line of the staff represents G, but
that the first line represents E, the first space F, etc. The F clef
similarly shows us that the fifth line of the bass staff represents the
first
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