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The Project Gutenberg eBook, Music Notation and Terminology, by Karl W. Gehrkens This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Music Notation and Terminology Author: Karl W. Gehrkens Release Date: October 8, 2006 [eBook #19499] Most recently updated October 31, 2008 Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK MUSIC NOTATION AND TERMINOLOGY*** E-text prepared by David Newman, Linda Cantoni, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/). Thanks to Alex Guzman for the realization of the figured bass in Figure 67, and to Bunji Hisamori and the Classical Midi Connection (http://www.classicalmidiconnection.com) for the MIDI sequence of the Beethoven Sonata Op. 31, No. 3. Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations and also audio files to which the reader can listen. See 19499-h.htm or 19499-h.zip: (http://www.gutenberg.net/dirs/1/9/4/9/19499/19499-h/19499-h.htm) or (http://www.gutenberg.net/dirs/1/9/4/9/19499/19499-h.zip) Transcriber's note: In this e-text, a superscript is indicated by a carat (^) and a subscript by a single underscore (_). Italics are indicated by two underscores, e.g. _larghetto_. The Czech r (with its diacritical) is represented by [vr], e.g. Dvo[vr]ak.] MUSIC NOTATION AND TERMINOLOGY by KARL W. GEHRKENS, A.M. Associate Professor of School Music Oberlin Conservatory of Music [Illustration: [publisher logo]] The A. S. Barnes Company New York 1914 Copyright, 1914, by The A. S. Barnes Company PREFACE The study of _music notation and terminology_ by classes in conservatories and in music departments of colleges and normal schools is a comparative innovation, one reason for the non-existence of such courses in the past being the lack of a suitable text-book, in which might be found in related groups clear and accurate definitions of the really essential terms. But with the constantly increasing interest in music study (both private and in the public schools), and with the pr
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