A below middle C, the fourth line the first F below middle C, etc.
[Footnote 5: The word _clef_ is derived from _CLAVIS_--a key--the
reference being to the fact that the clef unlocks or makes clear the
meaning of the staff, as a key to a puzzle enables us to solve the
puzzle.]
The student should note that these clefs are merely modified forms of
the letters G and F, which (among others) were used to designate the
pitches represented by certain lines when staff notation was first
inaugurated. For a fuller discussion of this matter see Appendix A, p.
101. [Transcriber's Note: Corrected error "Appendix I" in original.]
16. When the G clef is used the staff is usually referred to as the
_treble staff_, and when the F clef is used, as the _bass staff_. Such
expressions as "singing from the treble clef," or "singing in the treble
clef," and "singing in the bass clef" are still frequently heard, but
are preferably replaced by "singing from the treble staff," and "singing
from the bass staff." Fig. 6 shows the permanent names of lines and
spaces when the G and F clefs are used.[6]
[Footnote 6: The Germans use the same pitch designations as we do with
two exceptions, viz., our B is called by them H, and our B[flat] is
called B. The scale of C therefore reads: C, D, E, F, G, A, H, C; the
scale of F reads F, G, A, B, C, D, E, F. The signatures are in all cases
written exactly as we write them.
In France and Italy where the "fixed DO" system is in vogue, pitches are
usually referred to by the syllable names; _e.g._, C is referred to as
DO (or UT), D as RE, etc.]
[Illustration: Fig. 6.]
17. _The movable C clef_ [C clef symbol] or [tenor clef symbol],
formerly in very common use, is now utilized for only two purposes,
viz., (1) in music written for certain orchestral instruments (cello,
viola, etc.) of extended range, in order to avoid having to use too many
leger lines; and (2) for indicating the tenor part in vocal music. This
latter usage seems also to be disappearing however, and the tenor part
is commonly written on the treble staff, it being understood that the
tones are to be sung an octave lower than the notes would indicate.
The C clef as used in its various positions is shown in Figs. 7, 8, and
9. It will be noted that in each case the line on which the clef is
placed represents "middle C."
[Illustration: Fig. 7. Soprano clef.]
[Illustration: Fig. 8. Alto clef.]
[Illustration: Fig. 9. Tenor clef.]
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