101
APPENDIX B.--Musical Instruments 112
1. Two classes.
2. Piano.
3, 4. Organ, reed and pipe.
5. Instruments used for ensemble playing.
6. Band.
7. Orchestra.
8. The stringed instruments.
9. Wood-wind.
10. Brass.
11. Percussion.
12. Proportion of instruments, in an orchestra.
13. Books recommended.
14. Violin.
15. Viola.
16. Violoncello.
17. Double-bass.
18. Flute.
19. Piccolo.
20. Oboe family.
21. Clarinet and bass clarinet; saxophone.
22. French horn.
23. Trumpet.
24. Cornet.
25. Trombone.
26. Tuba.
27. Kettle-drum.
28. Harp.
APPENDIX C.--Acoustics 131
1. Definition.
2. Sound, production of.
3. Sound, transmission of.
4. Rate of travel.
5. Intensification of.
6. Classification of.
7. Tones, properties of.
8. Pitch.
9. Intensity.
10. Quality.
11. Overtones.
12. Equal temperament.
13. Standards of pitch.
APPENDIX D.--Terminology Reform 139
APPENDIX E.--Analysis of Beethoven Sonata, Op. 31, No. 3 149
PRONOUNCING INDEX 159
CHAPTER I
SOME PRINCIPLES OF CORRECT NOTATION
1. The _note_ (from _nota_--Latin--a mark or sign) consists of either
one, two, or three parts, ([Illustration]) these being referred to
respectively as head, stem, and hook. The hook is often called _tail_ or
cross-stroke. The stem appears on the right side of the head when turned
up, but on the left side when turned down.[1] [Illustration] The hook is
always on the right side.[2] [Illustration]
[Footnote 1: It should be noted at the outset that this statement
regarding the down-turned stem on the left side of the note-head, and
also a number of similar principles here cited, refer more specifically
to music as it appears on the printed page. In the case of hand-copied
music the down-turned stem appears on the right side of the note, thus
[note symbol]. This is done because of greater facility in writing, and
for the same reason other slight modifications of the notation here
recommended may sometimes be encountered. In dealing with children it is
best usually to follow as closely as possible the principles according
to which _printed_ music is notated, in order to avoid those
non-satisfying and often embarrassing explanations of dif
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