es like Victor Hugo, distinguished minds, thinkers,
and profound critics, refuse to see that Art is a special entity which
responds to a certain sense? If Art accommodates itself marvellously, if
it accords itself with the precepts of morality and passion, it is
nevertheless sufficient unto itself--and in its self-sufficiency lies
its heights of greatness.
The first prelude of Sebastian Bach's _Wohltemperirte Klavier_ expresses
nothing, and yet that is one of the marvels of music. The Venus de Milo
expresses nothing, and it is one of the marvels of sculpture.
To tell the truth, it is proper to add that in order not to be immoral
Art must appeal to those who have a feeling for it. Where the artist
sees only beautiful forms, the gross see only nudity. I have seen a good
man scandalized at the sight of Ingres's _La Source_.
Just as morality has no function to be artistic, so Art has nothing to
do with morality. Both have their own functions, and each is useful in
its own way. The final aim of morality is morality; of art, art, and
nothing else.
CHAPTER VIII
POPULAR SCIENCE AND ART
Rene Bazin has sketched cleverly Pasteur's brilliant career. France has
no clearer claim to glory than in Pasteur, for he is one of the men,
who, in spite of everything, keeps her in the first rank of nations.
A rare good fortune attended him. While many scholars who seek the truth
without concerning themselves with the practical results have to wait
many long years before their discoveries can be used, Pasteur's
discoveries were useful at once. So the mob, which cannot understand
science studied for its own sake, appreciated Pasteur's works. He saved
millions to the public treasury, and tens of thousands of human lives.
He had already secured a notable place in science when the public
learned his name through the memorable contest between him and Pouchet
over "spontaneous generation." The probabilities of the case were on
Pouchet's side. People refused to believe that these organisms which
developed in great numbers in an enclosed jar or that the molds which
developed under certain conditions were not produced spontaneously. The
youth of the time went wild over the question.
I was constantly being asked, "Are you for Pouchet or Pasteur?" and my
invariable response was, "I shall be for the one who proves he is
right." I was unwilling to admit that any such question could be solved
_a priori_ in accordance with preconcei
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