ER. This is an important matter, and you should _not_ follow
your own preference or convenience. The paper should be of regulation
Ms. ("letter") size, 8-1/2 by 11 inches, not transparent, and should
be pure white.
The editor prefers not to examine odd sizes when he is used to the
uniformity of the proper manuscript paper. Never use foolscap, or
8-1/2 by 13 paper. The writer knows one studio in which the different
directors, all of whom write photoplays of their own, use the 8-1/2 by
13 size; but remember, it is the director's privilege to write his
scripts on shop-keeper's wrapping paper if he so desires. So make it
8-1/2 by 11.
It must be opaque, because no editor wants to be annoyed by having the
writing on the second sheet show through between the lines of the
first, when he is reading that. That is the chief, and a sufficient,
reason. A second, is that thin paper is flimsy and hard to handle.
It should be white, because that, too, is the common practice.
Besides, dull white paper displays the typewriting most clearly. We
have heard of one photoplay writer who uses a buff-colored paper, and
who maintains that since adopting it his scripts have received better
treatment than formerly; his theory being that, on account of the
difference in color, his scripts attracted attention and were more
carefully handled. This may be true; but a good grade of yellow paper
will cost you more than white, and if white, opaque paper is good
enough for the leading photoplay writers, why not make it your paper?
The cheapest grade of paper that is sufficiently opaque costs about
$1.50 a box, containing one ream, 500 sheets. The next heavier costs
about $2.00 a box; a still better quality, a few cents more. Certainly
here is a case where, up to a reasonable limit, the best is the
cheapest. If you take pride in your work, send it out well dressed;
but, no matter how aesthetic your taste may be, never use the shades of
cherry, opaline, canary, or Nile green, in which certain grades of
paper are made.
RULES FOR WRITING THE SCRIPT. Instead of simply saying that the
manuscript _should_ be typewritten, let us ask once more: If you are
in earnest, and intend to succeed, why not give yourself every chance
to gain the editor's attention and interest by proclaiming that you
are a business man as well as a writer? Many film manufacturers
plainly announce that only typed scripts will be examined. Therefore
write the script with a typewriter
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