leader and the description of the scene which
follows, and between the description of the scene and the action
proper. This method of spacing, when combined with the rule of placing
all directions in the extreme left-hand margin, results in a script
that is almost sure to be satisfactory, and is certainly attractive,
mechanically.
In conclusion, do not forget that a _good_ typewriter is a tool of the
writer's trade, and perhaps the most important tool of all. As for
the question of which is the _best_ typewriter, it is entirely a
matter of opinion. If you live in a small town, where there is no
typewriter agent or agency, see if, among your business acquaintances,
there are not represented all the standard makes. Ask permission to
examine as many different makes as you can find; try what each will
do; make up your mind whether you prefer the single or the double
keyboard. If you choose a machine with the single keyboard, you must
get used to the shift-key system of printing capitals, yet many
writers prefer the single keyboard. If you are _buying_ a machine the
makers will gladly substitute for one of the needless characters
already on the keyboard--such as @--an odd character for which a
writer of photoplays or of fiction would have particular use, such as
the exclamation mark.
Having a typewriter, take care of it. Clean the type regularly with a
stiff brush; keep it cleaned and oiled; protect the platen from spots
of oil or grease of any kind; and give the machine the general
attention which it deserves.
From all this, it may seem that undue stress is laid upon the neat
appearance of the script, and the way it is planned from a mechanical
viewpoint. But we re-affirm what has been said at the opening of the
present chapter, and, in addition, we assert that not only are
neatness and correctness in the preparation of the script of
importance now, but, in the good times to come, to which all photoplay
writers are looking forward, the names that will be featured on the
posters and in the advertising matter of the companies will be the
names of the writers to whom the big checks are paid, and for whose
work there will be a steady demand, and they will be the names of the
writers who consider it worth while to TAKE PAINS.
CHAPTER VII
THE TITLE
For a few moments, it will be well to pause in order to survey the
road we have patiently travelled in our efforts toward writing the
photoplay, and also to loo
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