s only" demand. Don't over-adjective your synopsis, but such
qualifying words as you use should be vivid, clear and precise. One
specific word outweighs a score of general statements. Consider the
difference between "horse" and "broncho;" "house" and "bungalow;"
"woman" and "sour spinster." Be definite.
A careful examination of any well-written synopsis will convince the
novice that several rewritings are not too many to give to a synopsis
before deciding that it is _clear, concise, and interesting_. Each of
these points is well worth considering carefully. Interest, no one can
teach you; conciseness may be attained only by cutting out needless
words and _studying_ how to express the utmost in terse language; and
clearness is surely equally worthy of conscientious effort to master.
A first-class rhetoric, like Genung's, or Hill's, will be of great
value in acquiring conciseness and clearness of style, as well as
other good qualities of expression. One point only is there time to
dwell upon here: the lack of clearness arising from the careless use
of personal pronouns. For example, compare the relative clearness in
these two statements:
"In a moment of excitement, Harley strikes Jim a heavy blow. The whole
thing dazes him, and he scarcely knows what to do. After a few hours,
he determines upon revenge and, after taking his brother into his
confidence, warns him that he will shoot him on sight, etc."
"In a moment of excitement, Harley strikes Jim a heavy blow. The whole
affair dazes Jim, and he scarcely knows what to do. However, after a
few hours, he determines upon revenge, and, after taking his brother
Ted into his confidence, he warns Harley that he will shoot him on
sight, etc."
In the following 248-word synopsis, we have a model of clearness,
conciseness, and interesting statement. The same general form, applied
to a longer synopsis, should satisfy any editor. For the second, or
short, synopsis, demanded by certain companies, one of about this
length, and as carefully prepared, would undoubtedly be entirely
acceptable. Add to the conciseness and clearness of this Vitagraph
synopsis the suggested inserts, leaders, etc., already described in
connection with the synopses usually sent out by one of the present
writers, and you have what comes pretty near to being the ideal form
when the wishes of the editor, staff writer and director are all
considered. You will find other synopses in chapters V and XX.
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