FREE BOOKS

Author's List




PREV.   NEXT  
|<   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83  
84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   >>   >|  
out the call for "synopsis only" because they prefer to have their staff writers do the continuity of scenes (write the scenario), instead of accepting the scenario prepared by the author and upon occasion, altering it in the studio to suit their special requirements. Why so many concerns prefer to do this is easily understood. Instead of cutting up the originally submitted scenario and substituting different settings or locations, and perhaps, even, different large and difficult-to-obtain "props," they simply provide the staff writer with the synopsis of the story purchased from you, and tell him to go ahead and prepare the continuity, knowing as he does, and keeping in mind while at work, to just what approximate expense the company is prepared to go, just what sets are available or can be built, what necessary locations can be reached within a reasonable time, and what players--especially if they must be distinctive types--are in the company or may be readily engaged. These, of course, are matters over which the outside writer can have no control; if he is selling to a concern that demands the synopsis only, he must make up for what he does not know about the inside workings of the studio by giving the editor and (especially) the staff writer _every needed detail_ of his plot. Only by so doing can he feel sure of eventually seeing the story on the screen in the form of an artistic and satisfactory working out of his original idea. Some companies that request the synopsis only also like the writer to submit two synopses. The first, for the special benefit of the editor, and _shorter_ than the two-hundred-and-fifty-word synopsis of a few years ago, is intended to show the editor or his reader almost at a glance if the story is what that particular company could use at all. The second synopsis, of course, is the longer and more detailed one from which both he and the staff man can get _all_ the necessary details if your story is purchased. By reading the market departments of such magazines as _The Writer's Monthly_, and the various trade journals, you can keep posted as to which concerns like this double synopsis. For your own good, always observe the rule if the company lays it down, and remember that it is an easy matter to make a brief synopsis from the longer one already prepared. Again, while it is also necessary to observe strictly the rule of sending the "synopsis only" to companies that demand it, one of the
PREV.   NEXT  
|<   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83  
84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   >>   >|  



Top keywords:

synopsis

 
company
 

writer

 

editor

 

prepared

 

scenario

 
purchased
 

companies

 

longer

 

concerns


studio

 

special

 

observe

 
prefer
 
continuity
 

locations

 

hundred

 

screen

 

intended

 

matter


shorter
 

benefit

 
submit
 

working

 
original
 
request
 

strictly

 

satisfactory

 

sending

 
demand

synopses
 
artistic
 
glance
 
journals
 

details

 

magazines

 

Writer

 

departments

 

reading

 
market

posted

 

double

 

Monthly

 
reader
 

detailed

 

remember

 

difficult

 
obtain
 

submitted

 

substituting