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e ideas in both; though his testimony has not the same influence on them. The latter has a more lively conception of all the incidents. He enters deeper into the concerns of the persons: represents to himself their actions, and characters, and friendships, and enmities: He even goes so far as to form a notion of their features, and air, and person. While the former, who gives no credit to the testimony of the author, has a more faint and languid conception of all these particulars; and except on account of the style and ingenuity of the composition, can receive little entertainment from it. SECT. VIII. OF THE CAUSES OF BELIEF. Having thus explained the nature of belief, and shewn that it consists in a lively idea related to a present impression; let us now proceed to examine from what principles it is derived, and what bestows the vivacity on the idea. I would willingly establish it as a general maxim in the science of human nature, that when any impression becomes present to us, it not only transports the mind to such ideas as are related to it, but likewise communicates to them a share of its force and vivacity. All the operations of the mind depend in a great measure on its disposition, when it performs them; and according as the spirits are more or less elevated, and the attention more or less fixed, the action will always have more or less vigour and vivacity. When therefore any object is presented, which elevates and enlivens the thought, every action, to which the mind applies itself, will be more strong and vivid, as Tong as that disposition continues, Now it is evident the continuance of the disposition depends entirely on the objects, about which the mind is employed; and that any new object naturally gives a new direction to the spirits, and changes the disposition; as on the contrary, when the mind fixes constantly on the same object, or passes easily and insensibly along related objects, the disposition has a much longer duration. Hence it happens, that when the mind is once inlivened by a present impression, it proceeds to form a more lively idea of the related objects, by a natural transition of the disposition from the one to the other. The change of the objects is so easy, that the mind is scarce sensible of it, but applies itself to the conception of the related idea with all the force and vivacity it acquired from the present impression. If in considering the nature of relation, and th
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