e
lore of Assyria and 'Akkadia' are by no means superfluous. 'Akkadian'
is rapidly become as ready a key to all locks as 'Aryan' was a few
years ago.[171]
FOOTNOTES:
[157] Grimm, _D. M._, Engl. transl., p. 1202.
[158] _Tom Sawyer_, p. 87.
[159] _Rep._, vi. 488. Dem., 10, 6.
[160] _Journal Anthrop. Inst._, Feb., 1881.
[161] Gregor, _Folklore of North-east Counties_, p. 40.
[162] _Wars of Jews_, vii. 6, 3.
[163] _Var. Hist._, 14, 27.
[164] Max Mueller, _Selected Essays_, ii. 622.
[165] There is no end to Aryan parallels of savage practices. The
famous soma of the Veda is apparently now used like the Hottentot
roots. By the Zoroastrians 'it is used at incantations and sacrifices,
and thrown into the fire.' See Mr. Hootum Schindler, _Academy_, Jan.
31, 1885, p. 83.
[166] _Myth of Kirke_, p. 80.
[167] Turner's _Samoa_.
[168] Josephus, _loc. cit._ For this, and many other references, I am
indebted to Schwartz's _Praehistorisch-anthropologische Studien_. In
most magic herbs the learned author recognises thunder and
lightning--a theory no less plausible than Mr. Brown's.
[169] Lib. xxviii.
[170] Schoolcraft, v.
[171] Mr. Brown (_Academy_, Jan. 3, 1885) says he freely acknowledges
that his 'suggestion might be quite incorrect'--which seems
possible--and that 'if Odysseus and Kirke were sun and moon here is a
good starting-point for the theory that the moly was stellar.' This
reminds one of the preacher who demonstrated the existence of the
Trinity thus: 'For is there not, my brethren, one sun, and one
moon,--and one multitude of stars?'
_'KALEVALA'; OR, THE FINNISH NATIONAL EPIC._
It is difficult to account for the fact that the scientific curiosity
which is just now so busy in examining all the monuments of the
primitive condition of our race, should, in England at least, have
almost totally neglected to popularise the 'Kalevala,' or national
poem of the Finns. Besides its fresh and simple beauty of style, its
worth as a storehouse of every kind of primitive folklore, being as it
is the production of an _Urvolk_, a nation that has undergone no
violent revolution in language or institutions--the 'Kalevala' has the
peculiar interest of occupying a position between the two kinds of
primitive poetry, the ballad and the epic. So much difficulty has been
introduced into the study of the first developments of song, by
confusing these distinct sorts of composition under the name of
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