FREE BOOKS

Author's List




PREV.   NEXT  
|<   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143  
144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   >>   >|  
the mythology of what the Germans call a _cultur-volk_ like the Greeks or Romans. It could also be proved that much of the narrative element in the classic epics is to be found in a popular or childish form in primitive fairy tales. The question would then come to be, Have the higher mythologies been developed, by artistic poets, out of the materials of a race which remained comparatively untouched by culture; or are the lower spirits, and the more simple and puerile forms of myth, degradations of the inventions of a cultivated class? In the majority of cases, the former theory is correct. FOOTNOTES: [172] Talvj, _Charakteristik der Volkslieder_, p. 3. [173] Fauriel, _Chants de la Grece moderne_. [174] Thus Scotland scarcely produced any ballads, properly speaking, after the Reformation. The Kirk suppressed the dances to whose motion the ballad was sung in Scotland, as in Greece, Provence, and France. [175] L. Preller's _Ausgewaehlte Aufsaetze_. Greek ideas on the origin of Man. It is curious that the myth of a gold, a silver, and a copper race occurs in South America. See Brasseur de Bourbourg's _Notes on the Popol Vuh_. [176] See essay on _Early History of the Family_. [177] This constant struggle may be, and of course by one school of comparative mythologists will be, represented as the strife between light and darkness, the sun's rays, and the clouds of night, and so on. M. Castren has well pointed out that the struggle has really an historical meaning. Even if the myth be an elementary one, its constructors must have been in the exogamous stage of society. [178] Sampo _may_ be derived from a Thibetan word, meaning 'fountain of good,' or it may possibly be connected with the Swedish _stamp_, a hand-mill. The talisman is made of all the quaint odds and ends that the Fetichist treasures, swan's feathers, flocks of wool, and so on. [179] _Fortnightly Review_, 1869: 'The Worship of Plants and Animals.' [180] Mr. M'Lennan in the _Fortnightly Review_, February, 1870. [181] M. Schmidt, _Volksleben der Neugriechen_, finds comparatively few traces of the worship of Zeus, and these mainly in proverbial expressions. _THE DIVINING ROD._ There is something remarkable, and not flattering to human sagacity, in the periodical resurrection of superstitions. Houses, for example, go on being 'haunted' in country districts, and no educated man notices the circumstance. Then comes a case like that of
PREV.   NEXT  
|<   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143  
144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   >>   >|  



Top keywords:

Review

 
comparatively
 

Scotland

 

struggle

 

meaning

 

Fortnightly

 
fountain
 

possibly

 

Thibetan

 

society


derived
 
connected
 

Swedish

 

quaint

 

Fetichist

 

treasures

 

exogamous

 
talisman
 
clouds
 

darkness


mythologists
 
represented
 

strife

 

Castren

 

cultur

 

elementary

 
constructors
 
Germans
 

pointed

 

historical


feathers

 

periodical

 
sagacity
 

resurrection

 

superstitions

 

Houses

 

flattering

 
remarkable
 

circumstance

 

notices


educated
 
haunted
 

country

 
districts
 
DIVINING
 

Animals

 

Plants

 
February
 

Lennan

 
Worship