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r. Muir Wood relates:-- I was then a comparative stranger in Glasgow, but I was told that so many private carriages had never been seen at any concert in the town. In fact, it was the county people who turned out, with a few of the elite of Glasgow society. Being a morning concert, the citizens were busy otherwise, and half- a-guinea was considered too high a sum for their wives and daughters. No doubt Chopin's playing and compositions must have been to the good Glasgow citizens of that day what caviare is to the general. In fact, Scotland, as regards music, had at that period not yet emerged from its state of primitive savagery. But if we may believe the learned critic in the Glasgow Courier, Chopin's matinee was numerously attended, and the audience, which consisted of "the beauty and fashion, indeed of the very elite of the West-end," thoroughly enjoyed the playing of the concert-giver and the singing of Madame Adelasio de Margueritte who assisted him. I think the reader will be interested by the following specimen of criticism for more than one reason:-- The performance was certainly of the highest order in point of musical attainment and artistic skill, and was completely successful in interesting and delighting everyone present for an hour and a half. Visited as we now are by the highest musical talent, by this great player and the other eminent composer, it must be difficult for each successive candidate for our patronage and applause to produce in sufficient quantity that essential element to success--novelty; but M. Chopin has proved satisfactorily that it is not easy to estimate the capabilities of the instrument he handles with so much grace and ingenuity, or limit the skill and power whose magic touch makes it pour forth its sublime strains to electrify and delight anew the astonished listener. M. Chopin's treatment of the pianoforte is peculiar to himself, and his style blends in beautiful harmony and perfection the elegant, the picturesque, and the humorous. We cannot at present descend to practical illustrations in proof of these observations, but feel persuaded we only express the feelings of all who attended yesterday when we say that the pianist produces, without extraordinary effort, not only pleasing, but new musical delights. Madame Adelasio has a beautiful voice, which she manages with great ease and occasional brilliancy. She sa
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